1 00:00:02,733 --> 00:00:03,733 PREVIOUSLY ON LOVE and HIP-HOP: 2 00:00:03,733 --> 00:00:04,600 ATLANTA-- 3 00:00:04,600 --> 00:00:05,633 I GOT A LOT OF PEOPLE THAT BE 4 00:00:05,633 --> 00:00:06,967 IN AND OUT THE BED WITH US. 5 00:00:06,967 --> 00:00:07,900 YOU UNDERSTAND WHAT I'M SAYING? 6 00:00:07,900 --> 00:00:08,567 WAIT, WAIT, WAIT. 7 00:00:08,567 --> 00:00:09,233 I GOT MY BEST FRIEND 8 00:00:09,233 --> 00:00:10,067 THAT COMES. 9 00:00:10,067 --> 00:00:11,600 AND TONY'S COOL WITH THIS? 10 00:00:11,600 --> 00:00:13,100 ASHLEY IS COMING IN TOWN. 11 00:00:13,100 --> 00:00:13,933 WE HAVEN'T PUT A RECORD 12 00:00:13,933 --> 00:00:16,033 OUT IN THREE YEARS. 13 00:00:16,033 --> 00:00:17,300 WE DON'T NEED NO DISTRACTIONS. 14 00:00:17,300 --> 00:00:18,833 FOR REAL, YO. 15 00:00:18,833 --> 00:00:20,067 T. RIVERA IS VERY, VERY BIG. 16 00:00:20,067 --> 00:00:21,500 I WANT TO BRING THE FASHION 17 00:00:21,500 --> 00:00:23,600 WEEK NEW YORK FEEL TO ATLANTA. 18 00:00:23,600 --> 00:00:24,567 MAKE IT BIG. 19 00:00:24,567 --> 00:00:25,333 I REALLY BEEN THINKING 20 00:00:25,333 --> 00:00:26,467 I WANT TO GO TO THE STRAIGHT 21 00:00:26,467 --> 00:00:28,700 TO THE COURTHOUSE, GET MARRIED. 22 00:00:28,700 --> 00:00:29,633 WHAT? 23 00:00:29,633 --> 00:00:31,400 YOU GOT BAM, ERICA PINKETT. 24 00:00:31,400 --> 00:00:32,133 NO, I GOT BAM. 25 00:00:32,133 --> 00:00:34,100 IF YOU REALLY LOVE BAM, 26 00:00:34,100 --> 00:00:34,800 YOU GOT TO SHUT 27 00:00:34,800 --> 00:00:36,167 THAT ERICA PINKETT DOWN. 28 00:00:36,167 --> 00:00:37,400 SHE'S THE ONE. I'M THINKING 29 00:00:37,400 --> 00:00:38,233 ABOUT GIVING HER A RING 30 00:00:38,233 --> 00:00:39,200 IN A COUPLE OF WEEKS, 31 00:00:39,200 --> 00:00:40,700 AND I WANT TO GET MARRIED ASAP. 32 00:00:40,700 --> 00:00:41,367 YOU DON'T THINK 33 00:00:41,367 --> 00:00:42,333 YOU'RE MOVING FAST, SLEAZE? 34 00:00:42,333 --> 00:00:43,300 I'M NOT MOVING FAST ENOUGH. 35 00:00:43,300 --> 00:00:43,967 LISTEN. 36 00:00:43,967 --> 00:00:44,633 HOW THE [bleep] DID 37 00:00:44,633 --> 00:00:46,133 I KNOW ABOUT YOU AND STEVIE? 38 00:00:46,133 --> 00:00:47,000 IT'S LIKE THE ARMY. 39 00:00:47,000 --> 00:00:48,267 DON'T [bleep] ASK, DON'T TELL. 40 00:00:48,267 --> 00:00:49,333 OKAY, WELL, I WANT EVERYTHING 41 00:00:49,333 --> 00:00:50,100 LAID OUT ON THE TABLE. 42 00:00:50,100 --> 00:00:50,767 SHE TOLD ME 43 00:00:50,767 --> 00:00:51,833 ABOUT THE SITUATION. 44 00:00:51,833 --> 00:00:52,567 YOU KNOW WHAT I'M SAYING? 45 00:00:52,567 --> 00:00:53,467 WITH Y'ALL TWO, SLEAZE. 46 00:00:53,467 --> 00:00:54,467 WE HUNG OUT, G. 47 00:00:54,467 --> 00:00:55,800 IT WAS NEVER NOTHING. 48 00:00:55,800 --> 00:00:58,667 I NEVER HAD SEX WITH HER. 49 00:00:58,667 --> 00:00:59,533 I'M JUST SAYING. 50 00:00:59,533 --> 00:01:00,633 OH, NO, BITCH, WHAT? 51 00:01:00,633 --> 00:01:02,067 ERICA TOLD ME THAT 52 00:01:02,067 --> 00:01:02,867 MIMI TOLD HER 53 00:01:02,867 --> 00:01:03,667 THAT ALTHEA AND STEVIE... 54 00:01:03,667 --> 00:01:07,533 YEAH. 55 00:01:07,533 --> 00:01:08,333 'CAUSE I WANT TO POP YOU 56 00:01:08,333 --> 00:01:09,067 IN YOUR [bleep], 57 00:01:09,067 --> 00:01:09,900 BUT I CAN'T BEAT YOU UP, SO I'M 58 00:01:09,900 --> 00:01:10,667 GONNA HAVE TO WHUP HER ASS. 59 00:01:10,667 --> 00:01:11,333 WELL-- 60 00:01:11,333 --> 00:01:12,167 'CAUSE SHE SAT IN MY MOTHER 61 00:01:12,167 --> 00:01:12,833 [bleep] HOUSE AND-- 62 00:01:12,833 --> 00:01:13,700 I NEVER [bleep] UP. 63 00:01:13,700 --> 00:01:16,400 I DON'T BELIEVE YOU. 64 00:01:16,400 --> 00:01:18,067 * THIS IS THE LIFE 65 00:01:18,067 --> 00:01:18,967 ♪ THIS IS THE LIFE 66 00:01:18,967 --> 00:01:19,633 * YEAH 67 00:01:19,633 --> 00:01:20,367 * THIS IS THE LIFE 68 00:01:20,367 --> 00:01:21,267 ♪ THIS IS THE LIFE 69 00:01:21,267 --> 00:01:21,933 * 'SUP ♪ 70 00:01:21,933 --> 00:01:22,800 * THIS IS THE LIFE 71 00:01:22,800 --> 00:01:23,833 ♪ THIS IS THE LIFE 72 00:01:23,833 --> 00:01:24,500 * HUH 73 00:01:24,500 --> 00:01:25,200 * THIS IS THE LIFE 74 00:01:25,200 --> 00:01:28,367 ♪ THIS IS THE LIFE 75 00:01:28,367 --> 00:01:29,067 * HUH 76 00:01:29,067 --> 00:01:29,933 ♪ THERE AIN'T NOTHING LIKE ♪ 77 00:01:29,933 --> 00:01:31,067 ♪ HIP-HOP MUSIC 78 00:01:31,067 --> 00:01:32,367 ♪ MUSIC 79 00:01:32,367 --> 00:01:33,367 * THIS IS THE LIFE 80 00:01:33,367 --> 00:01:37,700 ♪ THIS IS THE LIFE 81 00:02:00,900 --> 00:02:01,767 SO ASHLEY'S BEEN HERE 82 00:02:01,767 --> 00:02:03,233 FOR ABOUT A WEEK, AND OF COURSE 83 00:02:03,233 --> 00:02:04,800 WE'VE BEEN TURNING IT UP, RIGHT? 84 00:02:04,800 --> 00:02:06,233 I'VE BEEN TRYING TO SLIP 85 00:02:06,233 --> 00:02:07,333 IN A LITTLE BIT OF WORK. 86 00:02:07,333 --> 00:02:08,900 I EVEN FINISHED RASHEEDA'S SONG, 87 00:02:08,900 --> 00:02:10,500 BUT I GOT TO ADMIT, 88 00:02:10,500 --> 00:02:11,900 MY HUSBAND WAS RIGHT. 89 00:02:11,900 --> 00:02:13,700 ASHLEY'S BEEN A DISTRACTION. 90 00:02:13,700 --> 00:02:14,733 HEY, BABY. 91 00:02:14,733 --> 00:02:16,400 OW. 92 00:02:16,400 --> 00:02:17,533 LOOK, PAY ME SOME MIND. 93 00:02:17,533 --> 00:02:18,333 DON'T PAY HER NO MIND, 94 00:02:18,333 --> 00:02:19,067 ALL RIGHT? 95 00:02:19,067 --> 00:02:20,333 SHE NOT SUPPOSED TO BE HERE. 96 00:02:20,333 --> 00:02:21,067 SHE NOT. 97 00:02:21,067 --> 00:02:21,700 I'M SUPPOSED 98 00:02:21,700 --> 00:02:22,433 TO BE WORKING ON MY ALBUM. 99 00:02:22,433 --> 00:02:23,100 I'M HERE, THOUGH. 100 00:02:23,100 --> 00:02:23,900 WE BEEN HITTING THE CLUBS 101 00:02:23,900 --> 00:02:24,700 AND THE STREETS, 102 00:02:24,700 --> 00:02:26,067 BUT NO MATTER HOW MUCH ATTENTION 103 00:02:26,067 --> 00:02:28,067 I GIVE ASHLEY, IT'S NOT ENOUGH. 104 00:02:28,067 --> 00:02:29,667 TODAY SHE STOLE MY PHONE, SO 105 00:02:29,667 --> 00:02:31,133 MY HUSBAND COULDN'T BOTHER ME, 106 00:02:31,133 --> 00:02:32,133 AND THAT'S A BIT MUCH 107 00:02:32,133 --> 00:02:33,133 IF YOU ASK ME. 108 00:02:33,133 --> 00:02:34,467 THAT'S A BAD BITCH. 109 00:02:34,467 --> 00:02:35,533 I'M GONNA HAVE HER IN MY [bleep] 110 00:02:35,533 --> 00:02:36,967 VIDEO, THOUGH, AND I'M WORKING 111 00:02:36,967 --> 00:02:37,833 ON THIS BLACK ORCHID [bleep]. 112 00:02:37,833 --> 00:02:39,533 SO WHAT ABOUT ME? 113 00:02:39,533 --> 00:02:40,367 ASHLEY. 114 00:02:40,367 --> 00:02:41,133 DON'T YOU SAY THE WRONG 115 00:02:41,133 --> 00:02:41,800 THING? 116 00:02:41,800 --> 00:02:42,467 YO, 117 00:02:42,467 --> 00:02:43,300 I HAVEN'T HAD A RECORD OUT... 118 00:02:43,300 --> 00:02:44,133 LET ME TELL YOU SOMETHING. 119 00:02:44,133 --> 00:02:44,800 IN THREE YEARS. 120 00:02:44,800 --> 00:02:45,667 LET ME TELL YOU SOMETHING. 121 00:02:45,667 --> 00:02:46,533 PEOPLE MAKE TIME FOR WHAT THEY 122 00:02:46,533 --> 00:02:47,733 WANT TO MAKE TIME FOR. 123 00:02:47,733 --> 00:02:48,833 SO IF YOU CAN GO 124 00:02:48,833 --> 00:02:49,700 IN THE [bleep] STUDIO 125 00:02:49,700 --> 00:02:51,967 AND CUT A RECORD FOR RASHEEDA, 126 00:02:51,967 --> 00:02:52,833 YOU MADE TIME FOR THAT, THOUGH, 127 00:02:52,833 --> 00:02:53,500 RIGHT? 128 00:02:53,500 --> 00:02:54,233 RASHEEDA? 129 00:02:54,233 --> 00:02:55,167 WHO WAS THAT WHEN IT 130 00:02:55,167 --> 00:02:55,900 COMES TO ME, THOUGH? 131 00:02:55,900 --> 00:02:56,600 ASHLEY. 132 00:02:56,600 --> 00:02:57,300 WHAT ABOUT ME? 133 00:02:57,300 --> 00:02:58,733 SO YOU DON'T GIVE A [bleep]? 134 00:02:58,733 --> 00:02:59,733 THIS HAPPENS EVERY SINGLE 135 00:02:59,733 --> 00:03:00,467 TIME. 136 00:03:00,467 --> 00:03:01,800 HER POSSESSIVENESS 137 00:03:01,800 --> 00:03:03,100 GETS IN THE WAY OF OUR FUN. 138 00:03:03,100 --> 00:03:04,567 SHE WANTS TO PLAY 139 00:03:04,567 --> 00:03:05,567 INSTEAD OF WORK. 140 00:03:05,567 --> 00:03:06,633 AND GUESS WHAT WINDS UP 141 00:03:06,633 --> 00:03:07,500 SUFFERING? 142 00:03:07,500 --> 00:03:08,533 MY MUSIC. 143 00:03:08,533 --> 00:03:10,400 SO I'M GONNA GIVE IT A THOUSAND. 144 00:03:10,400 --> 00:03:11,700 YOU THE ONLY GIRL I COULD EVER, 145 00:03:11,700 --> 00:03:13,133 EVER TURN OUT WITH, ASHLEY, 146 00:03:13,133 --> 00:03:14,700 AND I LOVE HANGING WITH YOU, 147 00:03:14,700 --> 00:03:16,500 BUT WHAT I AM GONNA SAY IS 148 00:03:16,500 --> 00:03:17,767 THIS IS BECOMING A LITTLE BIT 149 00:03:17,767 --> 00:03:18,833 OF A DISTRACTION. 150 00:03:18,833 --> 00:03:19,933 TONY'S ON MY HEAD 151 00:03:19,933 --> 00:03:21,433 ABOUT ME NOT FINISHING SONGS, 152 00:03:21,433 --> 00:03:23,300 HE'S ON MY HEAD ABOUT DEADLINES. 153 00:03:23,300 --> 00:03:24,800 I HAVE TO REALLY, REALLY FOCUS, 154 00:03:24,800 --> 00:03:25,467 AND I REALLY DO HAVE 155 00:03:25,467 --> 00:03:26,133 TO GET BACK TO THE-- 156 00:03:26,133 --> 00:03:27,067 AND I WANT YOU TO BE FOCUSED 157 00:03:27,067 --> 00:03:27,867 BECAUSE I WANT TO BE 158 00:03:27,867 --> 00:03:28,567 FOCUSED TOO. 159 00:03:28,567 --> 00:03:29,700 YOU TOOK MY PHONE, 160 00:03:29,700 --> 00:03:30,967 AND MY HUSBAND'S CALLING. 161 00:03:30,967 --> 00:03:31,633 YOU GONNA GET MAD? 162 00:03:31,633 --> 00:03:33,367 YEAH, I'M GONNA GET MAD. 163 00:03:33,367 --> 00:03:34,200 I GOT [bleep] I GOT TO DO. 164 00:03:34,200 --> 00:03:34,867 WHY IS EVERYTHING 165 00:03:34,867 --> 00:03:36,067 ALWAYS TONY, THOUGH? 166 00:03:36,067 --> 00:03:37,400 TONY THIS, TONY THAT. 167 00:03:37,400 --> 00:03:38,567 CAN I SEE IF HE'S CALLING ME? 168 00:03:38,567 --> 00:03:40,600 NO. [bleep] TONY HERE? 169 00:03:40,600 --> 00:03:41,300 ASHLEY. 170 00:03:41,300 --> 00:03:42,067 SEE? 171 00:03:42,067 --> 00:03:42,767 WHY YOU GOT TO BE SO MEAN? 172 00:03:42,767 --> 00:03:43,567 TONY IS THE DISTRACTION. 173 00:03:43,567 --> 00:03:44,500 HE'S NOT THE DISTRACTION. 174 00:03:44,500 --> 00:03:45,633 YEAH, HE [bleep] IS. 175 00:03:45,633 --> 00:03:46,467 LOOK WHAT HE DID. 176 00:03:46,467 --> 00:03:47,133 I'VE FORGOTTEN 177 00:03:47,133 --> 00:03:48,767 HOW CRAZY ASHLEY COULD GET. 178 00:03:48,767 --> 00:03:50,133 SHE WANTS TO BE MY ONE AND ONLY, 179 00:03:50,133 --> 00:03:51,700 AND IT'S JUST MAKING [bleep] 180 00:03:51,700 --> 00:03:53,067 A LITTLE BIT MORE COMPLICATED. 181 00:03:53,067 --> 00:03:54,867 ALL I WANTED TO DO WAS HAVE FUN, 182 00:03:54,867 --> 00:03:56,067 BUT RIGHT NOW THIS IS 183 00:03:56,067 --> 00:03:57,100 JUST TOO MUCH DRAMA. 184 00:03:57,100 --> 00:03:57,867 HEY, BABE. 185 00:03:57,867 --> 00:03:59,067 HERE WE GO WITH THIS [bleep]. 186 00:03:59,067 --> 00:04:00,133 ASHLEY TOOK ME OUT 187 00:04:00,133 --> 00:04:02,433 TO THE STRIP CLUB. 188 00:04:02,433 --> 00:04:03,500 I KNOW. WELL, THAT'S 189 00:04:03,500 --> 00:04:04,267 WHAT I'M TRYING TO GET HER 190 00:04:04,267 --> 00:04:05,533 TO UNDERSTAND, LIKE, RIGHT NOW. 191 00:04:05,533 --> 00:04:06,567 LIKE, I'M TALKING TO HER 192 00:04:06,567 --> 00:04:08,167 ABOUT THE SAME [bleep], BABE, 193 00:04:08,167 --> 00:04:09,500 AND I DO WANT IT. 194 00:04:09,500 --> 00:04:12,067 I JUST NEEDED A MOMENT. 195 00:04:12,067 --> 00:04:14,567 ALL RIGHT. 196 00:04:14,567 --> 00:04:15,733 Y'ALL STRESS ME OUT. 197 00:04:15,733 --> 00:04:17,100 HE'S IN THERE WORKING, 198 00:04:17,100 --> 00:04:18,100 I'M OUT HERE WITH YOU. 199 00:04:18,100 --> 00:04:18,767 OKAY. 200 00:04:18,767 --> 00:04:19,800 IT'S ENOUGH TURNING OUT. 201 00:04:19,800 --> 00:04:20,967 I CAN'T SPEND ANOTHER DAY 202 00:04:20,967 --> 00:04:22,700 RIGHT NOW DOING THIS. 203 00:04:22,700 --> 00:04:26,433 I NEED TO GO HOME. 204 00:04:37,133 --> 00:04:39,267 T. RIVERA IS FINALLY HERE. 205 00:04:39,267 --> 00:04:41,067 MY CLOTHING LINE. 206 00:04:41,067 --> 00:04:44,833 MY BABY IS LAUNCHING. 207 00:04:44,833 --> 00:04:45,700 I DIDN'T WANT TO DO 208 00:04:45,700 --> 00:04:47,067 A TRADITIONAL FASHION SHOW. 209 00:04:47,067 --> 00:04:48,300 I WANTED TO BRING NEW YORK 210 00:04:48,300 --> 00:04:49,767 FASHION WEEK TO ATLANTA, 211 00:04:49,767 --> 00:04:51,233 AND I'VE DECIDED 212 00:04:51,233 --> 00:04:52,767 TO DO A FASHION PRESENTATION. 213 00:04:52,767 --> 00:04:53,467 I LIKE THIS, 214 00:04:53,467 --> 00:04:54,167 I LIKE THAT, I LIKE THAT. 215 00:04:54,167 --> 00:04:55,167 OH, MY GOSH. 216 00:04:55,167 --> 00:04:57,067 [indistinct chatter] 217 00:04:57,067 --> 00:04:58,667 THANK YOU FOR INVITING US. 218 00:04:58,667 --> 00:05:00,067 T. RIVERA FASHION SHOW IS, 219 00:05:00,067 --> 00:05:00,700 LIKE, 220 00:05:00,700 --> 00:05:02,167 A DREAM COME TRUE TO TAMMY. 221 00:05:02,167 --> 00:05:03,867 I CANNOT MAKE HER AS HAPPY 222 00:05:03,867 --> 00:05:05,700 AS T. RIVERA FASHION. 223 00:05:05,700 --> 00:05:06,833 THAT'S HER HUSBAND, 224 00:05:06,833 --> 00:05:08,867 IF YOU ASK ME. 225 00:05:08,867 --> 00:05:09,567 I JUST WANT TO THANK 226 00:05:09,567 --> 00:05:10,733 EVERYBODY FOR COMING OUT, 227 00:05:10,733 --> 00:05:12,633 AND JUST CHECKING OUT MY LINE. 228 00:05:12,633 --> 00:05:14,067 IT TOOK ME A LONG TIME, 229 00:05:14,067 --> 00:05:14,733 AND IT'S BEEN 230 00:05:14,733 --> 00:05:15,733 A STRESSFUL PROCESS, 231 00:05:15,733 --> 00:05:18,333 BUT IT HAS COME TOGETHER. 232 00:05:18,333 --> 00:05:19,533 I ALSO WANT TO THANK MY FAMILY 233 00:05:19,533 --> 00:05:20,400 AND MY FRIENDS WHO CAME 234 00:05:20,400 --> 00:05:22,700 FROM SO FAR AWAY JUST TO SEE, 235 00:05:22,700 --> 00:05:24,167 AND--I'M GONNA CRY. 236 00:05:24,167 --> 00:05:27,100 all: AWW. 237 00:05:27,100 --> 00:05:30,333 IT'S OKAY. 238 00:05:30,333 --> 00:05:31,067 AND I WANT TO THANK 239 00:05:31,067 --> 00:05:32,633 MY FUTURE HUSBAND 240 00:05:32,633 --> 00:05:33,667 JUST FOR SUPPORTING ME 241 00:05:33,667 --> 00:05:37,233 AND NEVER GIVING UP ON ME, 242 00:05:37,233 --> 00:05:37,933 EVEN THOUGH I KNOW 243 00:05:37,933 --> 00:05:38,833 I NEVER GAVE UP ON YOU, 244 00:05:38,833 --> 00:05:42,200 AND I SHOULD HAVE. 245 00:05:42,200 --> 00:05:42,867 SEEING TAMMY 246 00:05:42,867 --> 00:05:44,067 GET EMOTIONAL, YOU KNOW, 247 00:05:44,067 --> 00:05:45,067 IT JUST MAKE 248 00:05:45,067 --> 00:05:47,500 YOU APPRECIATE YOUR WOMAN. 249 00:05:47,500 --> 00:05:48,433 LIKE, SHE'S REALLY 250 00:05:48,433 --> 00:05:50,600 INTO WHAT SHE'S DOING. 251 00:05:50,600 --> 00:05:51,967 MY TIME HAS COME 252 00:05:51,967 --> 00:05:53,633 TO SHOW EVERYONE WHAT I CAN DO. 253 00:05:53,633 --> 00:05:54,800 MY FAMILY HAS CAME 254 00:05:54,800 --> 00:05:56,400 FROM ALL OVER. 255 00:05:56,400 --> 00:05:58,100 THERE'S MY FRIENDS HERE. 256 00:05:58,100 --> 00:05:59,400 AND WAKA, 257 00:05:59,400 --> 00:06:01,200 HE'S HERE FROM OFF THE ROAD. 258 00:06:01,200 --> 00:06:02,300 THE FASHION SHOW IS NOT 259 00:06:02,300 --> 00:06:03,667 THE ONLY REASON WAKA'S HERE. 260 00:06:03,667 --> 00:06:05,567 HE'S WAITING FOR HIS ANSWER. 261 00:06:05,567 --> 00:06:06,933 HE WANT TO KNOW WHETHER OR NOT 262 00:06:06,933 --> 00:06:08,100 WE'RE GONNA ELOPE, 263 00:06:08,100 --> 00:06:09,400 AND IT'S A LOT GOING ON, 264 00:06:09,400 --> 00:06:10,500 BUT I'M READY TO HAVE 265 00:06:10,500 --> 00:06:11,300 THIS DISCUSSION. 266 00:06:11,300 --> 00:06:12,667 IT'S SUCH A GREAT NIGHT. 267 00:06:12,667 --> 00:06:13,933 WHY NOT TALK ABOUT IT RIGHT NOW? 268 00:06:13,933 --> 00:06:14,633 I WANT TO SAY 269 00:06:14,633 --> 00:06:16,167 THANK YOU FOR SUPPORTING ME. 270 00:06:16,167 --> 00:06:16,867 YES. 271 00:06:16,867 --> 00:06:17,967 AND BEING MY BACKBONE 272 00:06:17,967 --> 00:06:19,067 IN EVERYTHING I DO. 273 00:06:19,067 --> 00:06:20,233 BUT YOU DID THIS BY YOURSELF. 274 00:06:20,233 --> 00:06:21,200 I DID IT BY MYSELF, 275 00:06:21,200 --> 00:06:22,767 BUT I HAD YOUR SUPPORT. 276 00:06:22,767 --> 00:06:23,600 TO HAVE SOMEBODY THAT YOU 277 00:06:23,600 --> 00:06:25,167 HAVE YOUR BACK IF YOU FALL. 278 00:06:25,167 --> 00:06:25,900 YOU KNOW WHAT I'M SAYING? 279 00:06:25,900 --> 00:06:26,667 THAT'S RIGHT. 280 00:06:26,667 --> 00:06:27,900 AND I ALSO BEEN THINKING-- 281 00:06:27,900 --> 00:06:28,567 WHAT? 282 00:06:28,567 --> 00:06:30,633 WHAT YOU BEEN THINKING ABOUT? 283 00:06:30,633 --> 00:06:32,267 LET'S GO AHEAD AND ELOPE. 284 00:06:32,267 --> 00:06:33,200 OH, SO WE'RE GOING TO 285 00:06:33,200 --> 00:06:33,900 THE COURTHOUSE? 286 00:06:33,900 --> 00:06:35,133 LET'S DO IT. 287 00:06:35,133 --> 00:06:36,100 IF TAMMY'S HAPPY, 288 00:06:36,100 --> 00:06:38,100 THE WOMAN OF MY HOUSE, 289 00:06:38,100 --> 00:06:38,800 I DON'T HAVE TO HAVE 290 00:06:38,800 --> 00:06:39,933 NO CONVERSATION 291 00:06:39,933 --> 00:06:41,533 WITH NO ONE ABOUT MARRIAGE, 292 00:06:41,533 --> 00:06:42,700 ABOUT NO WEDDING. 293 00:06:42,700 --> 00:06:43,767 THAT'S IT. POINT-BLANK. 294 00:06:43,767 --> 00:06:45,067 PERIOD. I'M GETTING MARRIED. 295 00:06:45,067 --> 00:06:45,800 LET'S GET MARRIED 296 00:06:45,800 --> 00:06:46,500 RIGHT NOW, HUH? 297 00:06:46,500 --> 00:06:48,233 LET'S GET MARRIED RIGHT NOW. 298 00:06:48,233 --> 00:06:50,467 I LOVE WAKA, AND WE'VE BEEN 299 00:06:50,467 --> 00:06:52,267 THROUGH SO MUCH TOGETHER. 300 00:06:52,267 --> 00:06:53,967 IT'S BEEN A LONG TIME, 301 00:06:53,967 --> 00:06:54,800 AND I KNOW EVERYONE'S GONNA 302 00:06:54,800 --> 00:06:56,067 BE MAD ABOUT US GETTING MARRIED, 303 00:06:56,067 --> 00:06:57,167 BUT I'M READY. 304 00:06:57,167 --> 00:06:59,433 YOU MAY NOW KISS YOUR BRIDE. 305 00:07:06,800 --> 00:07:07,633 WHAT'S UP WITH YOU? 306 00:07:07,633 --> 00:07:08,500 WHAT'S HAPPENING? 307 00:07:08,500 --> 00:07:09,567 SO I GOT TO GO HOLLER 308 00:07:09,567 --> 00:07:10,367 AT PINKETT, MAN. 309 00:07:10,367 --> 00:07:11,800 I JUST DECIDED CAN'T 310 00:07:11,800 --> 00:07:12,900 DO THE FRIEND THING. 311 00:07:12,900 --> 00:07:13,667 YOU KNOW WHAT I'M SAYING? 312 00:07:13,667 --> 00:07:15,100 AND THEN IT'S COMPROMISING 313 00:07:15,100 --> 00:07:16,767 MY [bleep] WITH MY GIRL. 314 00:07:16,767 --> 00:07:17,733 I WANTED TO GO HOLLER AT HER 315 00:07:17,733 --> 00:07:19,167 SO I COULD SHUT EVERYTHING DOWN, 316 00:07:19,167 --> 00:07:20,133 MAN, AND JUST BE 317 00:07:20,133 --> 00:07:21,400 ON SOME REAL COOL, 318 00:07:21,400 --> 00:07:22,600 EVERYBODY WALK AWAY TYPE 319 00:07:22,600 --> 00:07:23,267 [bleep]. 320 00:07:23,267 --> 00:07:24,967 WHAT'S UP? 321 00:07:24,967 --> 00:07:25,700 I DON'T LIKE THE WAY 322 00:07:25,700 --> 00:07:26,800 YOU SAY, "WHAT'S UP?" 323 00:07:26,800 --> 00:07:27,600 WELL, I JUST 324 00:07:27,600 --> 00:07:29,200 WANTED TO GET TO THE POINT. 325 00:07:29,200 --> 00:07:30,233 LIKE, WHAT'S UP 326 00:07:30,233 --> 00:07:32,067 WITH CERTAIN MESSAGES 327 00:07:32,067 --> 00:07:33,300 YOU'VE BEEN SENDING ME LATELY? 328 00:07:33,300 --> 00:07:34,300 WHAT MESSAGES? 329 00:07:34,300 --> 00:07:34,967 IT WAS, LIKE, 330 00:07:34,967 --> 00:07:37,067 A BOOTY CALL TEXT. 331 00:07:37,067 --> 00:07:37,733 I HIT YOU 332 00:07:37,733 --> 00:07:39,900 WITH A BOOTY CALL TEXT? 333 00:07:39,900 --> 00:07:41,233 MAN, STRAIGHT OUT THE GATE, 334 00:07:41,233 --> 00:07:42,133 MAN, YOU KNOW, STUFF STARTED 335 00:07:42,133 --> 00:07:43,667 GOING LEFT, YOU KNOW. 336 00:07:43,667 --> 00:07:45,067 BUT IT SEEM LIKE PINKETT GOT 337 00:07:45,067 --> 00:07:46,700 A WHOLE 'NOTHER AGENDA GOING ON. 338 00:07:46,700 --> 00:07:47,400 LIKE, SHE ENDED UP 339 00:07:47,400 --> 00:07:48,367 TALKING ABOUT TEXTS 340 00:07:48,367 --> 00:07:49,200 I WAS SENDING HER 341 00:07:49,200 --> 00:07:50,667 WHEN I WAS UNDER THE INFLUENCE 342 00:07:50,667 --> 00:07:52,067 OR IN MY FEELINGS AND STUFF. 343 00:07:52,067 --> 00:07:52,700 LIKE, COME ON, SHORTY, 344 00:07:52,700 --> 00:07:53,767 FOR REAL? 345 00:07:53,767 --> 00:07:54,833 JUST TELL ME WHAT IT SAID. 346 00:07:54,833 --> 00:07:56,067 "YOU KNOW YOU WANT SOME 347 00:07:56,067 --> 00:07:57,700 OF THIS CHOCOLATE..." 348 00:07:57,700 --> 00:08:00,333 YOU DON'T REMEMBER SAYING THAT? 349 00:08:00,333 --> 00:08:01,067 I SAID THAT WHEN WE 350 00:08:01,067 --> 00:08:02,067 WERE PLAYING ONE TIME. 351 00:08:02,067 --> 00:08:02,800 WAS YOU PLAYING THE TIME 352 00:08:02,800 --> 00:08:04,467 WHERE YOU SAID YOU WAS IN LOVE, 353 00:08:04,467 --> 00:08:05,133 "GUESS WHO?" 354 00:08:05,133 --> 00:08:06,067 AND I'M LIKE, "WHO?" 355 00:08:06,067 --> 00:08:06,833 AND YOU WERE LIKE, 356 00:08:06,833 --> 00:08:08,400 "E.P." WHO'S E.P.? 357 00:08:08,400 --> 00:08:09,433 WHERE YOU TRYING TO GET TO? 358 00:08:09,433 --> 00:08:10,100 NOW YOU PLAYING 359 00:08:10,100 --> 00:08:10,767 WITH FEELINGS. 360 00:08:10,767 --> 00:08:11,433 SO WHAT DOES THAT MEAN? 361 00:08:11,433 --> 00:08:12,167 WHO'S E.P.? 362 00:08:12,167 --> 00:08:13,200 SINCE I KNEW 363 00:08:13,200 --> 00:08:14,733 THAT YOU SAVE ALL MY TEXTS. 364 00:08:14,733 --> 00:08:15,400 YOU FEEL ME? 365 00:08:15,400 --> 00:08:16,367 OH, I DO. 366 00:08:16,367 --> 00:08:17,067 AND MA DUKES TOLD ME-- 367 00:08:17,067 --> 00:08:18,067 AND ALL MY RECEIPT. 368 00:08:18,067 --> 00:08:19,367 SHE SAID, "A PERSON THAT DOES 369 00:08:19,367 --> 00:08:20,800 THAT, THEY AT SOMETHING." 370 00:08:20,800 --> 00:08:22,067 THAT'S WHAT MA DUKES SAID, 371 00:08:22,067 --> 00:08:23,067 BUT WHERE MAMA DUKES AT? 372 00:08:23,067 --> 00:08:24,400 YOU SEE MOMMA DEE ANYWHERE? 373 00:08:24,400 --> 00:08:25,667 I'M TALKING TO SCRAPPY OR... 374 00:08:25,667 --> 00:08:26,367 YEAH. 375 00:08:26,367 --> 00:08:27,067 DARRYL THE MAN. 376 00:08:27,067 --> 00:08:27,800 SO WHAT DOES DARRYL 377 00:08:27,800 --> 00:08:28,833 HAVE TO SAY FOR HIMSELF? 378 00:08:28,833 --> 00:08:29,733 DARRYL HAVE NOTHING TO SAY. 379 00:08:29,733 --> 00:08:30,433 SO WHO'S E.P.? 380 00:08:30,433 --> 00:08:31,800 SCRAPPY DON'T HAVE NOTHING 381 00:08:31,800 --> 00:08:33,067 TO SAY. BUT MERLOT-- 382 00:08:33,067 --> 00:08:33,967 SO WHICH ONE TEXT ME 383 00:08:33,967 --> 00:08:35,767 THEY IN LOVE WITH E.P.? 384 00:08:35,767 --> 00:08:37,767 HOLD ON FOR A SECOND. 385 00:08:40,900 --> 00:08:42,833 SCRAPPY SAID THAT'S YOU. 386 00:08:42,833 --> 00:08:43,533 YOU FEEL ME? 387 00:08:43,533 --> 00:08:44,200 WHAT? WHAT? 388 00:08:44,200 --> 00:08:44,933 THAT'S YOU. 389 00:08:44,933 --> 00:08:45,633 [bleep]. 390 00:08:45,633 --> 00:08:46,667 I DON'T CARE WHAT MULTIPLE 391 00:08:46,667 --> 00:08:47,933 PERSONALITY DISORDER SCRAPPY 392 00:08:47,933 --> 00:08:49,400 MAY SUFFER FROM. 393 00:08:49,400 --> 00:08:50,500 THAT'S WHY I SAVED ALL 394 00:08:50,500 --> 00:08:51,600 THEM DAMN TEXT MESSAGES, 395 00:08:51,600 --> 00:08:53,467 TO PROVE THE FOOL HE REALLY IS, 396 00:08:53,467 --> 00:08:55,133 AND THAT I DESERVE WAY BETTER. 397 00:08:55,133 --> 00:08:55,967 CAN YOU ASK SCRAPPY 398 00:08:55,967 --> 00:08:56,833 WHY HE WOULD TEXT ME? 399 00:08:56,833 --> 00:08:58,067 I WAS IN MY FEELINGS. 400 00:08:58,067 --> 00:08:58,900 YOU WAS IN YOUR FEELINGS? 401 00:08:58,900 --> 00:09:00,367 I MIGHT FLIRT, BUT AT THE END 402 00:09:00,367 --> 00:09:01,633 OF THE DAY, IT ALWAYS COME 403 00:09:01,633 --> 00:09:02,900 DOWN TO SOME FRIEND [bleep]. 404 00:09:02,900 --> 00:09:03,633 YOU KNOW WHAT I'M SAYING? 405 00:09:03,633 --> 00:09:04,333 AND WHY DOES IT ALWAYS 406 00:09:04,333 --> 00:09:05,833 COME DOWN TO US BEING FRIENDS? 407 00:09:05,833 --> 00:09:07,133 BECAUSE WE KNOW. 408 00:09:07,133 --> 00:09:08,267 WE KNOW WHAT? 409 00:09:08,267 --> 00:09:09,367 THAT YOU CRAZY, 410 00:09:09,367 --> 00:09:10,233 AND I'M GONNA THROW IT OUT-- 411 00:09:10,233 --> 00:09:10,933 I'M CRAZY? 412 00:09:10,933 --> 00:09:11,667 FOR SOME [bleep]-- 413 00:09:11,667 --> 00:09:12,467 I CAN GET CRAZY. 414 00:09:12,467 --> 00:09:13,433 WHAT THIS IS RIGHT HERE, 415 00:09:13,433 --> 00:09:14,133 SWEETHEART, 416 00:09:14,133 --> 00:09:16,633 IS YOU ARE [bleep] UP. 417 00:09:16,633 --> 00:09:17,767 THAT'S COOL. I'M GONNA 418 00:09:17,767 --> 00:09:19,067 DRINK MY DRINK, AND THAT'S FINE. 419 00:09:19,067 --> 00:09:21,200 WHEN YOU HAVE BEEN [bleep] 420 00:09:21,200 --> 00:09:21,967 UP IN LIFE, 421 00:09:21,967 --> 00:09:23,333 SOMETIME IT'S KIND OF HARD 422 00:09:23,333 --> 00:09:24,233 FOR YOU TO SEE, 423 00:09:24,233 --> 00:09:25,300 TO OPEN UP TO ANYTHING. 424 00:09:25,300 --> 00:09:26,467 BUT YOU KNOW AND I KNOW, 425 00:09:26,467 --> 00:09:27,733 AND I TOLD YOU IN CONFIDENCE 426 00:09:27,733 --> 00:09:28,433 A LOT OF THINGS 427 00:09:28,433 --> 00:09:29,167 THAT I'VE BEEN THROUGH. 428 00:09:29,167 --> 00:09:29,900 YOU KNOW, I TELL YOU 429 00:09:29,900 --> 00:09:30,967 SOMETHING IN CONFIDENCE, 430 00:09:30,967 --> 00:09:32,800 BUT YOU GO AND SAY SOMETHING 431 00:09:32,800 --> 00:09:34,967 INSENSITIVE AND DISRESPECTFUL. 432 00:09:34,967 --> 00:09:36,300 I'M SORRY FOR YOUR LOSS. 433 00:09:36,300 --> 00:09:37,333 YOU, AS MY FRIEND, 434 00:09:37,333 --> 00:09:38,067 WASN'T EVEN SUPPOSED 435 00:09:38,067 --> 00:09:39,200 TO PUT ME IN NO MESSY SITUATION 436 00:09:39,200 --> 00:09:39,900 WHEN YOU KNOW 437 00:09:39,900 --> 00:09:40,600 I'M TURNING YOU DOWN. 438 00:09:40,600 --> 00:09:41,333 I DIDN'T PUT YOU IN NO-- 439 00:09:41,333 --> 00:09:42,067 I AIN'T-- 440 00:09:42,067 --> 00:09:42,733 WHEN YOU'RE WITH HER, 441 00:09:42,733 --> 00:09:43,400 YOU WERE STILL TRYING 442 00:09:43,400 --> 00:09:44,133 TO GET WITH ME, AND I'M-- 443 00:09:44,133 --> 00:09:44,800 NO, I WASN'T. 444 00:09:44,800 --> 00:09:45,467 NO, YOU WASN'T? 445 00:09:45,467 --> 00:09:46,133 NO, I WASN'T, BUT-- 446 00:09:46,133 --> 00:09:46,867 YOU KNOW WHAT? 447 00:09:46,867 --> 00:09:48,267 REAL [bleep] KNOW, AND WHACK 448 00:09:48,267 --> 00:09:49,967 [bleep] DON'T, AND THAT'S IT. 449 00:09:49,967 --> 00:09:50,833 AND THAT'S WHY YOU DON'T. 450 00:09:50,833 --> 00:09:51,533 DRINK. 451 00:09:51,533 --> 00:09:52,867 CAN I GET A PATRON MARGARITA? 452 00:09:52,867 --> 00:09:54,133 PINKETT DONE CAME UP IN HERE 453 00:09:54,133 --> 00:09:54,867 AND, YOU KNOW WHAT I'M 454 00:09:54,867 --> 00:09:56,367 SAYING, ACTING ALL CRAZY, 455 00:09:56,367 --> 00:09:57,600 AND WE SUPPOSED TO BE FRIENDS. 456 00:09:57,600 --> 00:09:58,300 LIKE, 457 00:09:58,300 --> 00:09:59,900 THAT'S OUR WHOLE RELATIONSHIP; 458 00:09:59,900 --> 00:10:01,133 FRIENDS, YOU FEEL ME? 459 00:10:01,133 --> 00:10:03,267 AND ON TOP OF EVERYTHING, 460 00:10:03,267 --> 00:10:04,467 SHE DONE BEEN THROUGH WAY 461 00:10:04,467 --> 00:10:06,867 MORE SITUATIONS THAN THIS WHERE 462 00:10:06,867 --> 00:10:08,400 PEOPLE DONE DISRESPECTED HER. 463 00:10:08,400 --> 00:10:09,800 SHE DONE HAD A HISTORY OF THAT, 464 00:10:09,800 --> 00:10:11,367 BUT I AIN'T THE ONE. 465 00:10:11,367 --> 00:10:12,300 GO MAKE A SONG. 466 00:10:12,300 --> 00:10:13,333 WHERE'S YOUR SONG AT? 467 00:10:13,333 --> 00:10:14,033 AM I RAPPER? 468 00:10:14,033 --> 00:10:14,767 WHERE'S YOUR MOVIES? 469 00:10:14,767 --> 00:10:15,467 NOBODY'S EVER SEEN YOU. 470 00:10:15,467 --> 00:10:16,167 AT THE END OF THE DAY, 471 00:10:16,167 --> 00:10:16,900 YOU SAY YOU'RE A RAPPER... 472 00:10:16,900 --> 00:10:17,700 NOBODY'S EVER SEEN YOU. 473 00:10:17,700 --> 00:10:18,533 BUT YOU'RE AN EMOTIONAL 474 00:10:18,533 --> 00:10:19,200 CRYBABY. 475 00:10:19,200 --> 00:10:19,900 I AM. I AM. 476 00:10:19,900 --> 00:10:20,600 YOU'RE NOT A RAPPER. 477 00:10:20,600 --> 00:10:21,300 DO SOME PUSHUPS. 478 00:10:21,300 --> 00:10:22,000 I'LL BE TAKING CARE 479 00:10:22,000 --> 00:10:22,700 OF THIS BILL. 480 00:10:22,700 --> 00:10:23,567 HOLD ON. HOLD ON, BABY. 481 00:10:23,567 --> 00:10:24,433 I'LL BE TAKING CARE OF THIS. 482 00:10:24,433 --> 00:10:25,167 HOLD ON, BABY. I GOT IT. 483 00:10:25,167 --> 00:10:25,867 BYE, LANCE. 484 00:10:25,867 --> 00:10:26,567 I GOT MY CHECK. 485 00:10:26,567 --> 00:10:27,267 BYE, LANCE. 486 00:10:27,267 --> 00:10:28,100 NOBODY'S EVER SEEN YOU GET 487 00:10:28,100 --> 00:10:28,767 A CHECK. 488 00:10:28,767 --> 00:10:29,600 NO, I'M GOOD. I'M GOOD. 489 00:10:29,600 --> 00:10:30,500 'CAUSE REAL [bleep] GOT CHECKS 490 00:10:30,500 --> 00:10:31,167 DON'T SHOW OFF CHECKS. 491 00:10:31,167 --> 00:10:31,833 THEY HAVE NO TIME-- 492 00:10:31,833 --> 00:10:32,667 BUT WHAT ABOUT THE BLONDE 493 00:10:32,667 --> 00:10:33,633 BITCHES THAT THINK THAT THEY'RE 494 00:10:33,633 --> 00:10:34,400 THE [bleep], YOU FEEL ME? 495 00:10:34,400 --> 00:10:35,067 LIKE WHO? 496 00:10:35,067 --> 00:10:35,767 LIKE YOU. 497 00:10:35,767 --> 00:10:36,633 LIKE--HUH? 498 00:10:36,633 --> 00:10:37,600 YEAH, LIKE YOU. 499 00:10:37,600 --> 00:10:38,767 BEFORE I SLAP 500 00:10:38,767 --> 00:10:39,600 THE [bleep] OUT OF YOU-- 501 00:10:39,600 --> 00:10:40,300 BEFORE I SLAP 502 00:10:40,300 --> 00:10:41,000 THE [bleep] OUT OF YOU-- 503 00:10:41,000 --> 00:10:41,700 THERE'S THE EXIT 504 00:10:41,700 --> 00:10:42,400 TO THE RIGHT. 505 00:10:42,400 --> 00:10:43,300 'CAUSE YOU AIN'T GONNA NEVER 506 00:10:43,300 --> 00:10:43,967 SLAP ME. 507 00:10:43,967 --> 00:10:44,733 THAT'LL BE THE LAST TIME-- 508 00:10:44,733 --> 00:10:45,867 EXIT TO THE RIGHT, FOOL. 509 00:10:45,867 --> 00:10:46,567 EXIT TO THE RIGHT. 510 00:10:46,567 --> 00:10:47,267 IN REAL LIFE. 511 00:10:47,267 --> 00:10:47,967 BYE, LANCE. 512 00:10:47,967 --> 00:10:48,700 YOU UP ON THAT? 513 00:10:48,700 --> 00:10:49,533 BYE, LANCE. 514 00:10:49,533 --> 00:10:50,267 THE BITCH IS-- 515 00:10:50,267 --> 00:10:51,267 BYE, LANCE! 516 00:10:51,267 --> 00:10:52,267 WHOA! 517 00:10:52,267 --> 00:10:53,733 [clattering] 518 00:10:53,733 --> 00:10:55,133 THIS AIN'T NO [bleep] JOKE. 519 00:10:55,133 --> 00:10:56,600 COME ON, BITCH. 520 00:10:56,600 --> 00:10:59,333 [yelling indistinctly] 521 00:10:59,333 --> 00:11:00,900 WITH YOUR FAKE-ASS DIAMONDS. 522 00:11:00,900 --> 00:11:02,233 [bleep], THEN AIN'T-- 523 00:11:02,233 --> 00:11:04,067 THEM IS DARK STONES, 524 00:11:04,067 --> 00:11:05,333 YOU BROKE BUM! 525 00:11:05,333 --> 00:11:06,067 YOU BETTER GET 526 00:11:06,067 --> 00:11:06,933 YOUR [bleep] HANDS OFF ME. 527 00:11:06,933 --> 00:11:07,800 YOU BETTER GET YOUR HANDS 528 00:11:07,800 --> 00:11:08,500 OFF ME. 529 00:11:08,500 --> 00:11:09,933 OH, THAT'S RIGHT NOW. 530 00:11:09,933 --> 00:11:10,633 OH, YOU COULDN'T GET 531 00:11:10,633 --> 00:11:11,333 THIS [bleep]. 532 00:11:11,333 --> 00:11:12,133 THAT'S WHY YOU'RE MAD. 533 00:11:12,133 --> 00:11:13,667 YOU'LL NEVER GET THIS [bleep], 534 00:11:13,667 --> 00:11:16,933 YOU DUMB-ASS [bleep]. 535 00:11:16,933 --> 00:11:17,967 YOU KEEP PLAYING GAMES, 536 00:11:17,967 --> 00:11:18,767 AND ALL OF THIS RIGHT HERE 537 00:11:18,767 --> 00:11:20,633 IS GONNA BE OUT YOUR WAY. 538 00:11:20,633 --> 00:11:22,067 SO SLEEP IN THE DOGHOUSE 539 00:11:22,067 --> 00:11:23,100 WHERE YOU BELONG, DOGGIE. 540 00:11:23,100 --> 00:11:24,967 [howling] 541 00:11:24,967 --> 00:11:26,200 WHAT ARE YOU TELLING ME? 542 00:11:26,200 --> 00:11:26,967 TELL ME THEN. 543 00:11:26,967 --> 00:11:28,467 I CAN'T DEAL WITH THE, 544 00:11:28,467 --> 00:11:29,533 WE'RE GONNA HAVE A LITTLE FRIEND 545 00:11:29,533 --> 00:11:30,267 ON THE SIDE. 546 00:11:30,267 --> 00:11:32,833 I'M OFFICIALLY MRS. MALPHURS. 547 00:11:32,833 --> 00:11:34,267 THAT'S JUST REAL [bleep]. 548 00:11:34,267 --> 00:11:35,167 THAT YOU PUT ME 549 00:11:35,167 --> 00:11:36,300 THROUGH WHAT YOU 550 00:11:36,300 --> 00:11:38,100 SAID YOU WOULD NEVER [bleep] 551 00:11:38,100 --> 00:11:39,067 PUT ME THROUGH. 552 00:11:39,067 --> 00:11:40,333 I'M NOT THINKING ABOUT HIM, 553 00:11:40,333 --> 00:11:41,133 AND I'M GOING OUT OF TOWN, 554 00:11:41,133 --> 00:11:43,133 AND I'M GONNA DO ME. 555 00:11:57,067 --> 00:11:59,367 WHAT'S UP? 556 00:11:59,367 --> 00:12:00,133 YOU NOW, 557 00:12:00,133 --> 00:12:01,267 I'VE BEEN IN THE DOGHOUSE 558 00:12:01,267 --> 00:12:02,767 LATELY SLEEPING IN THE BUNKER. 559 00:12:02,767 --> 00:12:04,167 JOSELINE REALLY HAS NO RIGHT 560 00:12:04,167 --> 00:12:05,700 TO BE MAD AT ME 561 00:12:05,700 --> 00:12:07,800 JUST BECAUSE OF THE HEARSAY. 562 00:12:07,800 --> 00:12:09,233 I NEVER SMASHED ALTHEA. 563 00:12:09,233 --> 00:12:10,400 SO I SEE THE PUERTO RICAN 564 00:12:10,400 --> 00:12:11,100 TORNADO 565 00:12:11,100 --> 00:12:12,800 OUTSIDE HITTING TENNIS BALLS. 566 00:12:12,800 --> 00:12:13,867 SO, YOU KNOW, HOPEFULLY, 567 00:12:13,867 --> 00:12:14,733 I DON'T GET HIT BY ONE. 568 00:12:14,733 --> 00:12:15,600 I GOT TO GO OUTSIDE 569 00:12:15,600 --> 00:12:16,333 AND TALK TO HER. 570 00:12:16,333 --> 00:12:17,600 GOT TIME FOR A LITTLE GAME, 571 00:12:17,600 --> 00:12:18,300 A LITTLE MATCH? 572 00:12:18,300 --> 00:12:18,967 WHAT DO YOU WANT? 573 00:12:18,967 --> 00:12:20,867 YO, MA, HOLD UP. 574 00:12:20,867 --> 00:12:21,667 WHAT YOUR ASS WANT? 575 00:12:21,667 --> 00:12:23,333 I'M SICK 576 00:12:23,333 --> 00:12:24,733 OF SLEEPING IN THE BUNKER. 577 00:12:24,733 --> 00:12:26,267 THAT'S WHERE YOU BELONG AT, 578 00:12:26,267 --> 00:12:27,367 DOWNSTAIRS IN THE BUNKER 579 00:12:27,367 --> 00:12:28,133 LIKE A DOG. 580 00:12:28,133 --> 00:12:28,833 I'M NOT GIVING HIM NO 581 00:12:28,833 --> 00:12:29,700 COOTIE-CAT 'CAUSE HE DOESN'T 582 00:12:29,700 --> 00:12:30,400 DESERVE IT. 583 00:12:30,400 --> 00:12:31,967 FIRST, IT'S YOUR MAMA DRAMA, 584 00:12:31,967 --> 00:12:32,900 AND THEN YOU GOT THE DRAMA 585 00:12:32,900 --> 00:12:34,567 WITH BENZINO'S OLD LADY. 586 00:12:34,567 --> 00:12:37,067 IT'S ALWAYS PICTURES, OR TEXTS. 587 00:12:37,067 --> 00:12:38,133 LIKE, WHAT ELSE CAN I TAKE? 588 00:12:38,133 --> 00:12:39,167 I'M NOT HAVING SEX WITH YOU. 589 00:12:39,167 --> 00:12:40,333 WHY WOULD I HAVE SEX WITH YOU? 590 00:12:40,333 --> 00:12:41,133 I'M KEEPING THIS COOTIE-CAT 591 00:12:41,133 --> 00:12:42,367 TO MYSELF. 592 00:12:42,367 --> 00:12:43,633 WHAT WE NEED TO TALK ABOUT? 593 00:12:43,633 --> 00:12:44,633 WEEK AFTER WEEK 594 00:12:44,633 --> 00:12:46,267 IT'S A DIFFERENT STORY WITH YOU. 595 00:12:46,267 --> 00:12:47,067 I DON'T KNOW 596 00:12:47,067 --> 00:12:47,800 WHAT YOU'RE TALKING ABOUT. 597 00:12:47,800 --> 00:12:48,767 WHY DO I GOT TO HEAR 598 00:12:48,767 --> 00:12:50,067 EVERYTHING FROM THE OUTSIDE? 599 00:12:50,067 --> 00:12:50,933 WHEN ARE YOU GONNA REALLY 600 00:12:50,933 --> 00:12:51,733 TURN INTO THE MAN 601 00:12:51,733 --> 00:12:52,500 THAT YOU NEED TO TURN INTO, 602 00:12:52,500 --> 00:12:53,200 STEVIE? 603 00:12:53,200 --> 00:12:54,067 YOU SHOULDN'T BE WORRYING 604 00:12:54,067 --> 00:12:54,800 ABOUT WHAT YOU BE HEARING. 605 00:12:54,800 --> 00:12:55,633 NOTHING ABOUT NOTHING. 606 00:12:55,633 --> 00:12:56,333 YOU WANT TO GO MEET 607 00:12:56,333 --> 00:12:57,333 WITH HOS, YOU WANT TO [bleep] 608 00:12:57,333 --> 00:12:58,100 BENZINO'S GIRL. 609 00:12:58,100 --> 00:12:59,067 MISTER DANGER ZONE. 610 00:12:59,067 --> 00:13:00,067 WHEN YOU GONNA GET YOUR [bleep] 611 00:13:00,067 --> 00:13:00,767 TOGETHER? 612 00:13:00,767 --> 00:13:01,733 STEVIE'S NOT GONNA EVER TELL ME 613 00:13:01,733 --> 00:13:02,400 HE CHEATED ON ME. 614 00:13:02,400 --> 00:13:03,533 HE'S NOT GONNA EVER TELL ME, 615 00:13:03,533 --> 00:13:04,233 "OH, I HAD SEX 616 00:13:04,233 --> 00:13:04,933 WITH ANOTHER WOMAN." 617 00:13:04,933 --> 00:13:06,467 I COULD DIE, AND I'M NOT GONNA 618 00:13:06,467 --> 00:13:07,267 KNOW THAT ANSWER. 619 00:13:07,267 --> 00:13:08,067 I DON'T WANT 620 00:13:08,067 --> 00:13:10,067 TO TALK ABOUT SMASHING 'CAUSE 621 00:13:10,067 --> 00:13:10,967 I DIDN'T SMASH. 622 00:13:10,967 --> 00:13:11,667 OH, YOU DID. 623 00:13:11,667 --> 00:13:12,433 I DID NOT. 624 00:13:12,433 --> 00:13:13,233 I HOPE HER [bleep] 625 00:13:13,233 --> 00:13:13,967 WAS WORTH IT. 626 00:13:13,967 --> 00:13:14,800 ARE YOU SERIOUS? 627 00:13:14,800 --> 00:13:15,900 I HOPE YOU--OH, I'M DEAD ASS. 628 00:13:15,900 --> 00:13:16,600 I HOPE YOU ENJOYED IT. 629 00:13:16,600 --> 00:13:18,100 LOOK AT YOU, AND LOOK AT HER. 630 00:13:18,100 --> 00:13:19,067 LOOK AT ME, AND LOOK AT HER? 631 00:13:19,067 --> 00:13:19,700 YOU DON'T KNOW NOTHING. 632 00:13:19,700 --> 00:13:20,367 YOU'D [bleep] A DOG 633 00:13:20,367 --> 00:13:21,433 IN THE STREET WITHOUT NO FURS. 634 00:13:21,433 --> 00:13:22,167 MATTER OF ACT, 635 00:13:22,167 --> 00:13:22,933 YOU'D [bleep] ANYTHING. 636 00:13:22,933 --> 00:13:23,767 I'LL [bleep] A DOG 637 00:13:23,767 --> 00:13:24,600 IN THE STREET WITH NO FURS? 638 00:13:24,600 --> 00:13:25,733 OH, YES, YOU DO. 639 00:13:25,733 --> 00:13:26,667 AT LEAST HAVE SOME FURS. 640 00:13:26,667 --> 00:13:27,467 GUYS WILL HAVE SEX 641 00:13:27,467 --> 00:13:28,500 WITH PRETTY MUCH ANYTHING. 642 00:13:28,500 --> 00:13:29,400 I SEEN SOME OF THE GIRLS 643 00:13:29,400 --> 00:13:30,500 THAT STEVIE HAD SEX WITH, 644 00:13:30,500 --> 00:13:31,667 AND THEY LOOK A MESS. 645 00:13:31,667 --> 00:13:33,500 HE GOT FILET MIGNON AT HOME, 646 00:13:33,500 --> 00:13:34,467 AND HE WANTED TO GO DEAL 647 00:13:34,467 --> 00:13:35,833 WITH HAMBURGER HELPER. 648 00:13:35,833 --> 00:13:36,933 I DON'T MISS YOU 'CAUSE YOU'RE 649 00:13:36,933 --> 00:13:39,533 RIGHT HERE [bleep] TIRED HOS. 650 00:13:39,533 --> 00:13:40,300 YOU REALLY THINK 651 00:13:40,300 --> 00:13:41,100 I TOOK HER DOWN? 652 00:13:41,100 --> 00:13:42,667 OH, YES, I KNOW YOU DID. 653 00:13:42,667 --> 00:13:44,067 I MEAN, SHE ONLY TOOK YOU DOWN 654 00:13:44,067 --> 00:13:44,700 FOR THE SAME REASON 655 00:13:44,700 --> 00:13:47,467 I TOOK YOU DOWN. 656 00:13:47,467 --> 00:13:49,167 HUH? YEAH, YOU HEARD RIGHT. 657 00:13:49,167 --> 00:13:50,300 I DON'T BLAME ALTHEA 658 00:13:50,300 --> 00:13:51,933 FOR HAVING SEX WITH STEVIE. 659 00:13:51,933 --> 00:13:52,967 I WILL HAVE SEX WITH HIM 660 00:13:52,967 --> 00:13:53,833 FOR THE SAME REASON 661 00:13:53,833 --> 00:13:55,767 THAT SHE HAD SEX WITH HIM TOO-- 662 00:13:55,767 --> 00:13:56,900 TO TRY TO GET OUT, 663 00:13:56,900 --> 00:13:57,867 BUT WHAT I DO BLAME 664 00:13:57,867 --> 00:13:58,933 IS HIS DUMB ASS 665 00:13:58,933 --> 00:14:00,667 FOR HAVING SEX WITH A BITCH 666 00:14:00,667 --> 00:14:01,533 THAT JUST WANT TO USE HIM, 667 00:14:01,533 --> 00:14:02,567 BUT THEN AGAIN, EVERY BITCH HE 668 00:14:02,567 --> 00:14:03,600 EVER HAVE JUST WANT TO USE HIM. 669 00:14:03,600 --> 00:14:04,433 THAT'S WHAT I WANT TO HEAR. 670 00:14:04,433 --> 00:14:05,133 THAT'S WHAT I 671 00:14:05,133 --> 00:14:05,833 CAME OUTSIDE FOR. 672 00:14:05,833 --> 00:14:06,533 OH, NO, NO, NO, NO. 673 00:14:06,533 --> 00:14:07,233 DON'T TOUCH ME. 674 00:14:07,233 --> 00:14:07,967 I'M SERIOUS. DON'T-- 675 00:14:07,967 --> 00:14:08,633 YO, STOP. 676 00:14:08,633 --> 00:14:09,800 NO, IT'S NONE OF THAT. 677 00:14:09,800 --> 00:14:10,533 PLEASE. 678 00:14:10,533 --> 00:14:11,700 NO. IT'S NONE OF THAT. 679 00:14:11,700 --> 00:14:12,467 WHAT I WANT YOU TO DO 680 00:14:12,467 --> 00:14:13,167 IS TO GET YOUR 681 00:14:13,167 --> 00:14:14,100 [bleep] TOGETHER 'CAUSE 682 00:14:14,100 --> 00:14:14,800 YOU KNOW WHAT? 683 00:14:14,800 --> 00:14:15,667 I'M ABOUT THIS CLOSE 684 00:14:15,667 --> 00:14:17,700 TO MOVING FAR AWAY FROM ATLANTA, 685 00:14:17,700 --> 00:14:18,733 AND YOU'RE NOT GONNA SEE ME. 686 00:14:18,733 --> 00:14:19,467 HOLD ON, HOLD ON. 687 00:14:19,467 --> 00:14:20,267 YOU AIN'T GOING NOWHERE. 688 00:14:20,267 --> 00:14:21,067 MM-HMM. 689 00:14:21,067 --> 00:14:22,133 I AIN'T DO [bleep]. 690 00:14:22,133 --> 00:14:24,100 LOOK AT ME. I DIDN'T DO [bleep]. 691 00:14:24,100 --> 00:14:25,133 I NEVER SMASHED HER, 692 00:14:25,133 --> 00:14:26,367 I NEVER BANGED HER, 693 00:14:26,367 --> 00:14:27,367 I NEVER HIT IT. 694 00:14:27,367 --> 00:14:28,100 NOTHING. 695 00:14:28,100 --> 00:14:29,067 YOU AIN'T GOING NOWHERE. 696 00:14:29,067 --> 00:14:30,733 WE'RE FOREVER. 697 00:14:30,733 --> 00:14:31,500 UH-UH. 698 00:14:31,500 --> 00:14:32,467 YOU GOT TO DO A LITTLE BIT MORE 699 00:14:32,467 --> 00:14:33,133 THAN THIS, 700 00:14:33,133 --> 00:14:34,733 'CAUSE IT'S ALL YOU DO. 701 00:14:34,733 --> 00:14:35,433 SO YOU WANT TO GET 702 00:14:35,433 --> 00:14:36,167 BACK TO YOUR THING-- 703 00:14:36,167 --> 00:14:36,967 YES, I WANT TO GET BACK 704 00:14:36,967 --> 00:14:37,667 TO THE GAME. 705 00:14:37,667 --> 00:14:38,533 CAN I AT LEAST GET A HUG, 706 00:14:38,533 --> 00:14:39,233 A KISS, OR SOMETHING? 707 00:14:39,233 --> 00:14:40,533 UGH! YOU BETTER MOVE 708 00:14:40,533 --> 00:14:42,233 BEFORE I HIT YOUR ASS. 709 00:14:42,233 --> 00:14:42,967 ALL RIGHT. 710 00:14:42,967 --> 00:14:43,833 GET YOUR [bleep] TOGETHER. 711 00:14:43,833 --> 00:14:45,267 YOU KNOW WHAT? IF MY HUSBAND 712 00:14:45,267 --> 00:14:46,800 WOULD KEEP HIS [bleep] BEEFCAKE 713 00:14:46,800 --> 00:14:47,833 IN HIS PANTS, 714 00:14:47,833 --> 00:14:48,600 I WOULDN'T HAVE TO BE 715 00:14:48,600 --> 00:14:49,900 TRYING TO GET HIS BEEFCAKE 716 00:14:49,900 --> 00:14:50,967 TO EXPLODE 717 00:14:50,967 --> 00:14:51,933 WHEN I THROW A BALL AT 718 00:14:51,933 --> 00:14:53,567 HIS ASS 'CAUSE HE DESERVED IT. 719 00:14:53,567 --> 00:14:54,567 YOU KEEP PLAYING GAMES, 720 00:14:54,567 --> 00:14:55,367 AND ALL OF THIS RIGHT 721 00:14:55,367 --> 00:14:57,133 HERE IS GONNA BE OUT YOUR WAY. 722 00:14:57,133 --> 00:14:58,700 SOON. 723 00:14:58,700 --> 00:15:00,567 I SHOULD HIT YOUR [bleep] ASS, 724 00:15:00,567 --> 00:15:01,333 DIRT BAG. 725 00:15:01,333 --> 00:15:02,933 YOU MISSED ME. 726 00:15:02,933 --> 00:15:03,767 SLEEP IN THE DOGHOUSE 727 00:15:03,767 --> 00:15:05,067 WHERE YOU BELONG, DOGGIE. 728 00:15:05,067 --> 00:15:08,067 [howling] 729 00:15:16,467 --> 00:15:17,700 SO WHEN I WAS SHOT, 730 00:15:17,700 --> 00:15:18,400 THERE WAS ACTUALLY 731 00:15:18,400 --> 00:15:19,700 TWO BULLETS LEFT IN ME, 732 00:15:19,700 --> 00:15:20,567 SO I REALLY HAD TO GO 733 00:15:20,567 --> 00:15:21,267 TO A DOCTOR 734 00:15:21,267 --> 00:15:21,967 TO MAKE SURE THERE WAS 735 00:15:21,967 --> 00:15:23,933 NO LONG-LASTING DAMAGE. 736 00:15:23,933 --> 00:15:25,367 FOR THE LAST THREE DAYS, 737 00:15:25,367 --> 00:15:26,633 IT'S ALMOST, LIKE, CLOSING UP. 738 00:15:26,633 --> 00:15:27,400 NO, IT LOOKS 739 00:15:27,400 --> 00:15:28,133 LIKE IT'S STAYING CLEAN. 740 00:15:28,133 --> 00:15:28,800 YEAH, IT LOOKS 741 00:15:28,800 --> 00:15:29,667 LIKE IT'S STARTING TO HEAL UP. 742 00:15:29,667 --> 00:15:30,567 LET ME COVER YOU UP HERE, 743 00:15:30,567 --> 00:15:32,067 AND WE'LL TAKE A CLOSER LOOK. 744 00:15:32,067 --> 00:15:33,100 SO WHEN IT HAPPENED, 745 00:15:33,100 --> 00:15:34,067 YOU WERE SITTING IN THE CAR. 746 00:15:34,067 --> 00:15:34,733 IS THAT CORRECT? 747 00:15:34,733 --> 00:15:35,467 I WAS ACTUALLY DRIVING 748 00:15:35,467 --> 00:15:36,167 THE CAR. 749 00:15:36,167 --> 00:15:36,867 OKAY. 750 00:15:36,867 --> 00:15:37,600 YOU KNOW, THEY STARTED 751 00:15:37,600 --> 00:15:38,800 SHOOTING FROM, I GUESS, THE 752 00:15:38,800 --> 00:15:40,800 RIGHT SIDE OF ME, AND, YOU KNOW, 753 00:15:40,800 --> 00:15:41,567 I WAS ON THE HIGHWAY. 754 00:15:41,567 --> 00:15:42,400 ONE HIT ME HERE, 755 00:15:42,400 --> 00:15:43,933 THEN ONE COME SKIM MY BACK. 756 00:15:43,933 --> 00:15:45,233 AS FAR AS JUST OVERALL 757 00:15:45,233 --> 00:15:46,100 STRENGTH RIGHT NOW, 758 00:15:46,100 --> 00:15:46,933 WHAT SEEMS TO BE 759 00:15:46,933 --> 00:15:47,800 THE WEAKEST PART? 760 00:15:47,800 --> 00:15:49,100 OH, I CAN'T--MY HAND, 761 00:15:49,100 --> 00:15:50,067 I CAN'T DO NOTHING. 762 00:15:50,067 --> 00:15:51,067 YOU KNOW, THIS WHOLE SHOOTING 763 00:15:51,067 --> 00:15:52,333 HAS REALLY CHANGED MY OUTLOOK 764 00:15:52,333 --> 00:15:53,200 ON THE WHOLE WORLD. 765 00:15:53,200 --> 00:15:55,367 THROUGH PAIN, THERE'S PEACE. 766 00:15:55,367 --> 00:15:56,200 I MEAN, HONESTLY, 767 00:15:56,200 --> 00:15:57,800 HAVING MY GIRL ON MY SIDE 768 00:15:57,800 --> 00:15:59,067 AND MY BRO ON MY SIDE, 769 00:15:59,067 --> 00:16:00,133 YOU REALLY DON'T UNDERSTAND 770 00:16:00,133 --> 00:16:01,233 WHAT THAT MEANS. 771 00:16:01,233 --> 00:16:02,067 I MEAN, IT REALLY SHOWS 772 00:16:02,067 --> 00:16:03,367 THAT SOMEBODY CARES ABOUT YOU, 773 00:16:03,367 --> 00:16:05,300 AND LOYALTY IS EVERYTHING. 774 00:16:05,300 --> 00:16:06,200 THIS IS ONE OF THE X-RAYS 775 00:16:06,200 --> 00:16:07,133 THAT THEY TOOK OF YOU 776 00:16:07,133 --> 00:16:08,200 THE MOMENT YOU SHOWED UP 777 00:16:08,200 --> 00:16:09,100 IN THE EMERGENCY ROOM. 778 00:16:09,100 --> 00:16:10,333 THE INJURY WAS UP IN HERE, 779 00:16:10,333 --> 00:16:11,433 BUT THIS IS THE REST OF YOU, 780 00:16:11,433 --> 00:16:12,633 SO THIS IS YOUR SPINE. 781 00:16:12,633 --> 00:16:13,333 THAT'S MY HEART? 782 00:16:13,333 --> 00:16:14,200 RIGHT THERE. 783 00:16:14,200 --> 00:16:15,067 OH. 784 00:16:15,067 --> 00:16:15,700 TO THE CHEST. 785 00:16:15,700 --> 00:16:16,400 EVERYBODY SAYS 786 00:16:16,400 --> 00:16:17,267 I AIN'T GOT A NECK, DOC. 787 00:16:17,267 --> 00:16:18,067 YOU KNOW WHAT I'M SAYING. 788 00:16:18,067 --> 00:16:19,233 I KNOW I GOT A SHORT NECK, 789 00:16:19,233 --> 00:16:20,067 BUT IT'S NOT AS LONG 790 00:16:20,067 --> 00:16:20,833 AS EVERYBODY ELSE'S, 791 00:16:20,833 --> 00:16:22,333 BUT I CAN SEE RIGHT THERE 792 00:16:22,333 --> 00:16:23,067 THAT I HAVE A NECK. 793 00:16:23,067 --> 00:16:23,833 OH, IT IS SOLID. 794 00:16:23,833 --> 00:16:24,533 NICE. 795 00:16:24,533 --> 00:16:25,567 SO AS WE KIND OF COME 796 00:16:25,567 --> 00:16:26,967 DOWN HERE, 797 00:16:26,967 --> 00:16:28,067 WHAT WE START TO SEE 798 00:16:28,067 --> 00:16:30,667 IS THESE BIG WHITE PIECES. 799 00:16:30,667 --> 00:16:31,567 THOSE ARE THE FRAGMENTS. 800 00:16:31,567 --> 00:16:32,433 THAT'S THE METAL. 801 00:16:32,433 --> 00:16:33,133 SO YEAH. 802 00:16:33,133 --> 00:16:33,867 WOW. 803 00:16:33,867 --> 00:16:35,433 THE THINNER GRAY-WHITE STUFF 804 00:16:35,433 --> 00:16:36,567 IS THE BONE, 805 00:16:36,567 --> 00:16:38,133 AND THEN THESE REALLY INTENSE 806 00:16:38,133 --> 00:16:40,233 WHITE PIECES ARE THE-- 807 00:16:40,233 --> 00:16:41,067 IS THE METAL, 808 00:16:41,067 --> 00:16:42,867 IS THE BULLET PIECES THEMSELVES. 809 00:16:42,867 --> 00:16:43,767 YEAH, THAT'S THE SCARY PART 810 00:16:43,767 --> 00:16:44,767 'CAUSE, CERTAINLY, THERE'S A LOT 811 00:16:44,767 --> 00:16:45,767 OF BLOOD VESSELS UP THERE. 812 00:16:45,767 --> 00:16:46,500 YEAH. 813 00:16:46,500 --> 00:16:47,367 YOU KNOW, FOR THE MOST PART, 814 00:16:47,367 --> 00:16:48,067 YOU WERE VERY LUCKY 815 00:16:48,067 --> 00:16:49,167 IN THAT THE BIG ONES, 816 00:16:49,167 --> 00:16:50,100 THE IMPORTANT ONES WERE-- 817 00:16:50,100 --> 00:16:50,800 RIGHT. 818 00:16:50,800 --> 00:16:51,833 SAFELY OUT OF THE WAY, 819 00:16:51,833 --> 00:16:53,067 BUT NOT BY VERY MUCH. 820 00:16:53,067 --> 00:16:53,700 BUT CERTAINLY, 821 00:16:53,700 --> 00:16:54,467 THERE'S A LOT OF BLOOD 822 00:16:54,467 --> 00:16:55,467 TO BE HAD REGARDLESS 823 00:16:55,467 --> 00:16:56,567 OF THAT TYPE OF INJURY. 824 00:16:56,567 --> 00:16:57,267 I MEAN, 825 00:16:57,267 --> 00:16:58,267 WHEN EVERYTHING WAS GOING ON, 826 00:16:58,267 --> 00:16:59,600 I TRULY BELIEVE THAT MY MOTHER 827 00:16:59,600 --> 00:17:00,700 WAS MY GUARDIAN ANGEL 828 00:17:00,700 --> 00:17:01,833 WATCHING OVER ME. 829 00:17:01,833 --> 00:17:02,967 THE BULLET WAS JUST AN INCH 830 00:17:02,967 --> 00:17:04,933 AND A HALF FROM MY SPINE. 831 00:17:04,933 --> 00:17:06,233 MESSED ME UP PRETTY BAD. 832 00:17:06,233 --> 00:17:07,133 AND IT'S JUST A MATTER 833 00:17:07,133 --> 00:17:07,867 OF GIVING THE BODY 834 00:17:07,867 --> 00:17:09,400 APPROPRIATE AMOUNT OF TIME-- 835 00:17:09,400 --> 00:17:10,533 TO DO ITS JOB. THANK YOU. 836 00:17:10,533 --> 00:17:11,233 GOOD TO MEET YOU. 837 00:17:11,233 --> 00:17:11,900 UGH. 838 00:17:11,900 --> 00:17:12,900 I CAN'T GRIP IT LIKE I WANT, 839 00:17:12,900 --> 00:17:13,667 BUT I'M ALL RIGHT. 840 00:17:13,667 --> 00:17:14,367 I KNOW. I KNOW. 841 00:17:14,367 --> 00:17:16,567 WE'LL GET YOU STRONG. 842 00:17:31,933 --> 00:17:33,100 GETTING MARRIED TODAY 843 00:17:33,100 --> 00:17:34,567 IS SO SPECIAL FOR ME 844 00:17:34,567 --> 00:17:36,500 BECAUSE WAKA HAS SHOWN ME THAT 845 00:17:36,500 --> 00:17:38,267 THERE'S NO WOMAN IN THIS WORLD 846 00:17:38,267 --> 00:17:38,933 THAT HE'D RATHER BE 847 00:17:38,933 --> 00:17:41,733 WITH MORE THAN ME. 848 00:17:45,633 --> 00:17:47,067 GIVEN THE YEAR THAT WE JUST 849 00:17:47,067 --> 00:17:48,533 HAD, I FEEL, LIKE, 850 00:17:48,533 --> 00:17:49,567 THERE'S NO OTHER PLACE 851 00:17:49,567 --> 00:17:50,367 I WOULD RATHER HAVE BEEN, 852 00:17:50,367 --> 00:17:51,600 BUT BY HIS SIDE 'CAUSE 853 00:17:51,600 --> 00:17:52,333 I LOVE HIM, 854 00:17:52,333 --> 00:17:54,067 AND YOU CAN NEVER TAKE THE LOVE 855 00:17:54,067 --> 00:17:57,067 BACK THAT YOU HAVE FOR SOMEONE. 856 00:18:02,933 --> 00:18:03,633 TODAY IS THE DAY. 857 00:18:03,633 --> 00:18:04,700 I'M WALKING IN THE COURTHOUSE. 858 00:18:04,700 --> 00:18:06,433 WE'RE ELOPING, GETTING MARRIED. 859 00:18:06,433 --> 00:18:07,467 I FEEL GOOD. 860 00:18:07,467 --> 00:18:08,400 SHE'S FEELING GREAT. 861 00:18:08,400 --> 00:18:09,533 SHE KNOW I'M HERE NOW. 862 00:18:09,533 --> 00:18:12,100 THIS CERTIFIED. 863 00:18:18,233 --> 00:18:19,100 AS ME AND WAKA 864 00:18:19,100 --> 00:18:20,067 LEAVE THE COURTHOUSE, 865 00:18:20,067 --> 00:18:20,767 THE ONLY THING 866 00:18:20,767 --> 00:18:22,500 I CAN THINK ABOUT IS, 867 00:18:22,500 --> 00:18:24,667 I'M OFFICIALLY MRS. MALPHURS. 868 00:18:24,667 --> 00:18:27,567 I'M HIS WIFE. 869 00:18:29,900 --> 00:18:32,133 THIS WAS OUR DESTINY. 870 00:18:43,300 --> 00:18:45,467 I CAN'T MAKE STEVIE ADMIT IT, 871 00:18:45,467 --> 00:18:46,267 AND WHATEVER HIM 872 00:18:46,267 --> 00:18:47,600 AND JOSELINE'S GONNA GO THROUGH, 873 00:18:47,600 --> 00:18:48,433 THEY'RE GONNA GO THROUGH. 874 00:18:48,433 --> 00:18:49,167 THAT'S THE REASON 875 00:18:49,167 --> 00:18:50,133 WHY HE'S NOT ADMITTING IT 876 00:18:50,133 --> 00:18:50,933 BECAUSE HE DOESN'T WANT 877 00:18:50,933 --> 00:18:52,933 TO FEEL THE WRATH OF HER. 878 00:19:05,067 --> 00:19:06,067 OH, MAN. 879 00:19:06,067 --> 00:19:06,733 HEY, BABY. 880 00:19:06,733 --> 00:19:07,467 WHAT'S UP, BABE? 881 00:19:07,467 --> 00:19:08,767 WHAT'D THE DOCTOR SAY? 882 00:19:08,767 --> 00:19:10,067 THE DOC'S COOL, MAN. 883 00:19:10,067 --> 00:19:10,833 THE DOCTOR'S WAS ALL RIGHT. 884 00:19:10,833 --> 00:19:12,067 HE WAS SHOWING ME, LIKE, YOU 885 00:19:12,067 --> 00:19:13,433 KNOW--EASY, EASY, EASY, EASY. 886 00:19:13,433 --> 00:19:14,500 WHAT'S UP, BABE? 887 00:19:14,500 --> 00:19:15,200 HEY. 888 00:19:15,200 --> 00:19:16,233 HEY, YOU LOOK NICE. 889 00:19:16,233 --> 00:19:17,067 WANT SOMETHING TO DRINK? 890 00:19:17,067 --> 00:19:17,767 OH, MAN. 891 00:19:17,767 --> 00:19:18,800 YEAH, CREAM SODA. 892 00:19:18,800 --> 00:19:20,100 MAN, BABE, BUT THE DOC, MAN, 893 00:19:20,100 --> 00:19:21,267 HE'S PRETTY COOL MAN. 894 00:19:21,267 --> 00:19:22,367 HE TOLD ME A LOT OF STUFF 895 00:19:22,367 --> 00:19:23,500 THAT I DIDN'T KNOW ABOUT MY ARM, 896 00:19:23,500 --> 00:19:24,233 YOU KNOW. 897 00:19:24,233 --> 00:19:25,733 SO HE SAID IT'S GONNA 898 00:19:25,733 --> 00:19:26,967 TAKE A LONG TIME TO HEAL? 899 00:19:26,967 --> 00:19:27,667 MAYBE ABOUT-- 900 00:19:27,667 --> 00:19:29,867 MAYBE FOUR MONTHS. 901 00:19:29,867 --> 00:19:31,267 BUT, MAN, THIS WHOLE THING, 902 00:19:31,267 --> 00:19:32,633 ALTHEA IS, LIKE-- 903 00:19:32,633 --> 00:19:33,800 IT JUST MAKES YOU THINK, MAN. 904 00:19:33,800 --> 00:19:35,333 I JUST GOT A WHOLE NEW LEASE 905 00:19:35,333 --> 00:19:37,533 ON LIFE, A WHOLE NEW OUTLOOK, 906 00:19:37,533 --> 00:19:38,200 AND, YOU KNOW, 907 00:19:38,200 --> 00:19:39,800 ME WANTING TO START OVER. 908 00:19:39,800 --> 00:19:41,967 IT'S A GOOD TIME RIGHT NOW, 909 00:19:41,967 --> 00:19:44,100 AND USE ALL THAT AS THIS 910 00:19:44,100 --> 00:19:45,133 TO MAKE A STARTING POINT 911 00:19:45,133 --> 00:19:45,933 FOR OUR RELATIONSHIP. 912 00:19:45,933 --> 00:19:46,600 MM-HMM. 913 00:19:46,600 --> 00:19:47,300 YOU KNOW, 914 00:19:47,300 --> 00:19:48,067 I CAN'T LIVE WITHOUT YOU. 915 00:19:48,067 --> 00:19:48,767 YOU KNOW WHAT I'M SAYING? 916 00:19:48,767 --> 00:19:49,467 OH, BABY. 917 00:19:49,467 --> 00:19:50,233 AND, YOU KNOW, WHEN I 918 00:19:50,233 --> 00:19:51,367 WAS AT THE HOSPITAL, SURE, 919 00:19:51,367 --> 00:19:52,700 I WAS EMOTIONAL, BUT I WAS HAPPY 920 00:19:52,700 --> 00:19:55,100 BECAUSE MY BRO WAS THERE, 921 00:19:55,100 --> 00:19:56,233 AND MY GIRL WAS THERE, 922 00:19:56,233 --> 00:19:57,800 REGARDLESS OF Y'ALL SITUATION. 923 00:19:57,800 --> 00:19:58,500 RIGHT. 924 00:19:58,500 --> 00:19:59,200 AND WE ALL HERE, 925 00:19:59,200 --> 00:19:59,867 I KNOW ABOUT IT. 926 00:19:59,867 --> 00:20:00,900 YOU KNOW WHAT I MEAN, AND I 927 00:20:00,900 --> 00:20:01,933 THOUGHT WE WAS ON THE SAME PAGE, 928 00:20:01,933 --> 00:20:02,633 BUT THEN IT'S, 929 00:20:02,633 --> 00:20:04,533 LIKE, I GET TO THE HOTEL ROOM, 930 00:20:04,533 --> 00:20:05,233 AND HE JUST DIDN'T WANT 931 00:20:05,233 --> 00:20:06,000 TO TALK ABOUT IT. 932 00:20:06,000 --> 00:20:07,100 I MEAN, HONESTLY, YOU KNOW, 933 00:20:07,100 --> 00:20:08,300 I TRIED TO HOLLER AT STEVIE 934 00:20:08,300 --> 00:20:09,500 ABOUT THE WHOLE SITUATION, 935 00:20:09,500 --> 00:20:11,667 BUT HE JUST KEEPS DENYING IT, 936 00:20:11,667 --> 00:20:12,567 AND ON ONE HAND, 937 00:20:12,567 --> 00:20:13,667 I CAN UNDERSTAND, YOU KNOW. 938 00:20:13,667 --> 00:20:15,067 HE'S FEELING, LIKE, HE MIGHT BE 939 00:20:15,067 --> 00:20:16,233 HURTING HIS BRO'S FEELINGS, 940 00:20:16,233 --> 00:20:17,167 BUT IT'S NOT EVEN LIKE THAT, 941 00:20:17,167 --> 00:20:17,867 SLEAZ-O. 942 00:20:17,867 --> 00:20:18,567 I MEAN, REALLY, 943 00:20:18,567 --> 00:20:19,433 I KNOW THE REAL REASON. 944 00:20:19,433 --> 00:20:20,667 HE DON'T WANT TO GET NO CHAIR 945 00:20:20,667 --> 00:20:21,433 UPSIDE HIS HEAD 946 00:20:21,433 --> 00:20:23,100 BY THE PUERTO RICAN PRINCESS. 947 00:20:23,100 --> 00:20:23,867 WE WAS DEFINITELY TRYING 948 00:20:23,867 --> 00:20:24,533 TO CLEAR THE AIR. 949 00:20:24,533 --> 00:20:25,533 I TOLD HIM, I MENTIONED IT, 950 00:20:25,533 --> 00:20:26,200 YOU KNOW, 951 00:20:26,200 --> 00:20:27,367 AND HE JUST SHRUGGED IT OFF. 952 00:20:27,367 --> 00:20:29,700 SO, YOU KNOW, HE STILL WASN'T 953 00:20:29,700 --> 00:20:30,800 ADMITTING TO IT. I'M, LIKE-- 954 00:20:30,800 --> 00:20:31,467 I MEAN, 955 00:20:31,467 --> 00:20:32,433 YOU KNOW I DIDN'T MAKE IT UP. 956 00:20:32,433 --> 00:20:33,300 I MEAN, WHY WOULD I WANT TO... 957 00:20:33,300 --> 00:20:34,000 COME ON, BABE. 958 00:20:34,000 --> 00:20:34,700 MAKE THAT UP? 959 00:20:34,700 --> 00:20:35,700 I MEAN, I KNOW [bleep] OUT 960 00:20:35,700 --> 00:20:36,533 HERE LYING ON THEY [bleep]... 961 00:20:36,533 --> 00:20:37,233 RIGHT. 962 00:20:37,233 --> 00:20:37,933 BUT I'VE NEVER HEARD 963 00:20:37,933 --> 00:20:39,033 A CHICK LIE ON THEIR [bleep]. 964 00:20:39,033 --> 00:20:39,800 YEAH, THAT'S NOTHING 965 00:20:39,800 --> 00:20:40,733 TO BRAG ABOUT. 966 00:20:40,733 --> 00:20:42,133 HE SEES ME AND HOW HAPPY 967 00:20:42,133 --> 00:20:42,833 I AM WITH YOU, 968 00:20:42,833 --> 00:20:43,600 AND HE DOESN'T WANT 969 00:20:43,600 --> 00:20:44,800 TO MESS THAT UP. 970 00:20:44,800 --> 00:20:46,067 YEAH, BUT HOW CAN ALL FOUR 971 00:20:46,067 --> 00:20:47,067 OF US REALLY, LIKE, 972 00:20:47,067 --> 00:20:49,400 BE GENUINE FRIENDS 973 00:20:49,400 --> 00:20:51,067 IF WE'RE NOT ADMITTING TO THINGS 974 00:20:51,067 --> 00:20:52,067 THAT HAPPENED IN THE PAST? 975 00:20:52,067 --> 00:20:53,633 LIKE, DOES JOSELINE KNOW? 976 00:20:53,633 --> 00:20:55,500 LIKE, WE STILL DON'T KNOW IF, 977 00:20:55,500 --> 00:20:56,567 LIKE, SHE KNOWS OR NOT? 978 00:20:56,567 --> 00:20:57,333 JUST BECAUSE HE'S 979 00:20:57,333 --> 00:20:58,033 NOT ADMITTING IT, 980 00:20:58,033 --> 00:20:58,733 IT'S NOT, LIKE, 981 00:20:58,733 --> 00:20:59,733 I'M TAKING HIS WORD. 982 00:20:59,733 --> 00:21:01,167 YEAH, BUT THEN I DON'T WANT 983 00:21:01,167 --> 00:21:02,067 TO BE AROUND THEM ANYMORE 984 00:21:02,067 --> 00:21:03,867 IF HE'S NOT GONNA ADMIT TO HER 985 00:21:03,867 --> 00:21:05,600 WHAT REALLY HAPPENED. 986 00:21:05,600 --> 00:21:06,333 LIKE-- 987 00:21:06,333 --> 00:21:07,067 I KNOW, BUT-- 988 00:21:07,067 --> 00:21:08,067 'CAUSE THEN IT'S BEING FAKE. 989 00:21:08,067 --> 00:21:08,800 EITHER WE'RE GONNA, LIKE, 990 00:21:08,800 --> 00:21:09,700 ACCEPT IT AND MOVE ON, 991 00:21:09,700 --> 00:21:10,367 OR WE'RE JUST GONNA ACT 992 00:21:10,367 --> 00:21:11,500 LIKE NOTHING EVER HAPPENED, 993 00:21:11,500 --> 00:21:12,333 AND I DON'T WANT TO BE AROUND 994 00:21:12,333 --> 00:21:13,600 THEM BECAUSE IT'S LEAVING ME 995 00:21:13,600 --> 00:21:15,067 IN AN UNCOMFORTABLE SITUATION. 996 00:21:15,067 --> 00:21:15,933 IT WAS UNCOMFORTABLE 997 00:21:15,933 --> 00:21:17,067 IN THE BEGINNING, 998 00:21:17,067 --> 00:21:17,933 AND NOW IT'S STILL 999 00:21:17,933 --> 00:21:18,800 UNCOMFORTABLE. 1000 00:21:18,800 --> 00:21:19,967 STEVIE NEEDS TO REALLY JUST 1001 00:21:19,967 --> 00:21:21,333 MAN UP AND CLEAR THE AIR. 1002 00:21:21,333 --> 00:21:22,500 I MEAN, JOSELINE'S THE ONLY ONE 1003 00:21:22,500 --> 00:21:23,233 WALKING AROUND HERE 1004 00:21:23,233 --> 00:21:24,200 LIKE SHE DOESN'T KNOW, 1005 00:21:24,200 --> 00:21:24,867 AND IT'S CAUSED A LOT 1006 00:21:24,867 --> 00:21:26,133 OF TENSION BETWEEN US. 1007 00:21:26,133 --> 00:21:26,900 AFTER EVERYTHING 1008 00:21:26,900 --> 00:21:27,667 THAT WE'VE BEEN THROUGH, 1009 00:21:27,667 --> 00:21:28,533 THE LAST THING THAT BENZINO 1010 00:21:28,533 --> 00:21:30,667 AND I NEED IS MORE DRAMA. 1011 00:21:30,667 --> 00:21:31,567 OH, BABE, 1012 00:21:31,567 --> 00:21:33,267 ALL WE GOT TO WORRY ABOUT IS US. 1013 00:21:33,267 --> 00:21:33,967 SO RIGHT NOW, 1014 00:21:33,967 --> 00:21:34,933 LET'S NOT EVEN TALK ABOUT IT. 1015 00:21:34,933 --> 00:21:35,667 ARE YOU HUNGRY? 1016 00:21:35,667 --> 00:21:36,400 WHAT YOU MAKE? 1017 00:21:36,400 --> 00:21:37,933 CEVICHE. 1018 00:21:37,933 --> 00:21:38,900 YOU MADE SOME CEVICHE, BABE? 1019 00:21:38,900 --> 00:21:40,367 [whispers indistinctly]. 1020 00:21:40,367 --> 00:21:41,133 YEAH. WELL, YOU KNOW, 1021 00:21:41,133 --> 00:21:42,933 I TRY TO DO MY THING. 1022 00:21:42,933 --> 00:21:43,933 YEAH, BABE, I WANT SOME CEVICHE 1023 00:21:43,933 --> 00:21:45,833 WITH SOME HOT SAUCE. 1024 00:21:45,833 --> 00:21:46,800 PUT THE GAME ON. 1025 00:21:46,800 --> 00:21:48,233 OH, MY GOODNESS. 1026 00:21:48,233 --> 00:21:49,900 * LET'S MAKE THEM ALL ♪ 1027 00:21:49,900 --> 00:21:51,533 ♪ WHEN I FALL ASLEEP 1028 00:21:51,533 --> 00:21:53,100 ♪ AT NIGHT 1029 00:21:53,100 --> 00:21:55,767 ♪ ONE THING ON MY MIND 1030 00:21:55,767 --> 00:21:57,333 ♪ 1031 00:21:57,333 --> 00:21:59,367 HEY. 1032 00:21:59,367 --> 00:22:00,767 [singing indistinctly] 1033 00:22:00,767 --> 00:22:01,633 OH, WHAT'S HAPPENING? 1034 00:22:01,633 --> 00:22:02,933 WHAT'S COOL WITH YOU, VICK? 1035 00:22:02,933 --> 00:22:03,700 [bleep] GOOD. 1036 00:22:03,700 --> 00:22:04,433 I'M TRYING TO WORK. 1037 00:22:04,433 --> 00:22:06,867 WHAT YOU TRYING TO DO? 1038 00:22:06,867 --> 00:22:07,567 TONY WAS WORRIED 1039 00:22:07,567 --> 00:22:09,067 ABOUT ASHLEY COMING INTO TOWN 1040 00:22:09,067 --> 00:22:10,367 FROM THE VERY, VERY BEGINNING, 1041 00:22:10,367 --> 00:22:12,067 AND YOU KNOW WHAT? 1042 00:22:12,067 --> 00:22:13,333 HE WAS ABSOLUTELY RIGHT. 1043 00:22:13,333 --> 00:22:14,600 INSTEAD OF LIVING IN THE STUDIO 1044 00:22:14,600 --> 00:22:15,433 AND DOING WHAT I'M SUPPOSED 1045 00:22:15,433 --> 00:22:16,633 TO BE DOING, I'VE BEEN 1046 00:22:16,633 --> 00:22:18,067 TURNING UP WITH ASHLEY, 1047 00:22:18,067 --> 00:22:19,800 AND I'M READY TO ADMIT IT. 1048 00:22:19,800 --> 00:22:20,933 IT HAS TO STOP. 1049 00:22:20,933 --> 00:22:22,200 YOU SAID THIS TO ME. 1050 00:22:22,200 --> 00:22:23,067 YOU SAID, "YO, 1051 00:22:23,067 --> 00:22:24,500 WHEN ASHLEY COME DOWN, 1052 00:22:24,500 --> 00:22:25,667 WE GONNA WORK, 1053 00:22:25,667 --> 00:22:26,600 AND WE GONNA HANG OUT, 1054 00:22:26,600 --> 00:22:27,400 WE GONNA TWERK, WE'RE GONNA 1055 00:22:27,400 --> 00:22:28,600 DO OUR THING, WHATEVER." 1056 00:22:28,600 --> 00:22:29,833 ALL I SEEN YOU ALL DOING 1057 00:22:29,833 --> 00:22:31,467 WAS HANGING OUT. THAT'S IT. 1058 00:22:31,467 --> 00:22:32,267 THE LAST THREE YEARS 1059 00:22:32,267 --> 00:22:33,067 I'VE BEEN BUSTING MY ASS. 1060 00:22:33,067 --> 00:22:34,067 YEAH, BUT LISTEN, MAN, 1061 00:22:34,067 --> 00:22:35,300 WE DON'T GET NO TIME OFF. 1062 00:22:35,300 --> 00:22:36,867 WE USED TO BE STRONG, 1063 00:22:36,867 --> 00:22:38,300 TIGHT, GETTING OUR [bleep] DONE, 1064 00:22:38,300 --> 00:22:39,733 AND THEN I'M LOOKING AT [bleep] 1065 00:22:39,733 --> 00:22:41,267 GO DOWNHILL, SPIRAL. 1066 00:22:41,267 --> 00:22:41,967 VICK, ALL RIGHT. 1067 00:22:41,967 --> 00:22:42,633 SPIRAL. 1068 00:22:42,633 --> 00:22:43,333 YOU CALLED ME-- 1069 00:22:43,333 --> 00:22:44,067 IT'S NOT SPIRAL. 1070 00:22:44,067 --> 00:22:45,067 DON'T DO THAT. ALL RIGHT. 1071 00:22:45,067 --> 00:22:45,767 YO, LISTEN, MAN. 1072 00:22:45,767 --> 00:22:46,467 GUESS WHAT? 1073 00:22:46,467 --> 00:22:47,333 I'M TELLING YOU SOMETHING. 1074 00:22:47,333 --> 00:22:48,100 WHAT ARE YOU TELLING ME? 1075 00:22:48,100 --> 00:22:48,767 TELL ME THEN. 1076 00:22:48,767 --> 00:22:49,533 I CAN'T DEAL WITH THE 1077 00:22:49,533 --> 00:22:50,733 RELATIONSHIP, 1078 00:22:50,733 --> 00:22:52,633 "OKAY, WE GONNA HAVE A JUMP-OFF, 1079 00:22:52,633 --> 00:22:53,867 WE GONNA HAVE A LITTLE FRIEND 1080 00:22:53,867 --> 00:22:54,733 ON THE SIDE." 1081 00:22:54,733 --> 00:22:56,633 SOMETIMES YOU HAVE TO SEE 1082 00:22:56,633 --> 00:22:57,467 IT FOR YOURSELF. 1083 00:22:57,467 --> 00:22:58,567 YOU HAVE TO BRING THE PEOPLE 1084 00:22:58,567 --> 00:22:59,867 AROUND YOU SO YOU BE LIKE, 1085 00:22:59,867 --> 00:23:01,467 "YO, I'M SO ABOVE THIS [bleep], 1086 00:23:01,467 --> 00:23:02,167 MAN." 1087 00:23:02,167 --> 00:23:03,500 YOU HAVE TO DO THAT SOMETIMES, 1088 00:23:03,500 --> 00:23:05,233 VICK. 1089 00:23:05,233 --> 00:23:07,333 I'M HUMAN. 1090 00:23:07,333 --> 00:23:09,133 IT IS TIME FOR ASHLEY TO GO 1091 00:23:09,133 --> 00:23:10,733 BECAUSE I FIGURED OUT IN MY HEAD 1092 00:23:10,733 --> 00:23:12,300 THAT IT'S NOT CONDUCIVE TO 1093 00:23:12,300 --> 00:23:13,600 WHAT ME AND TONY'S TRYING TO DO. 1094 00:23:13,600 --> 00:23:14,767 IT REALLY GOT TO BE 1095 00:23:14,767 --> 00:23:16,167 ABOUT ME AND TONY RIGHT NOW. 1096 00:23:16,167 --> 00:23:17,267 I NEED KALENNA BACK. 1097 00:23:17,267 --> 00:23:18,633 I NEED K-DIDDYBOP. 1098 00:23:18,633 --> 00:23:19,400 ALL RIGHT. 1099 00:23:19,400 --> 00:23:20,100 YOU UNDERSTAND-- 1100 00:23:20,100 --> 00:23:20,900 I'M SENDING ASHLEY HOME. 1101 00:23:20,900 --> 00:23:21,600 WHAT I'M SAYING? 1102 00:23:21,600 --> 00:23:22,333 I'M SENDING HER HOME. 1103 00:23:22,333 --> 00:23:23,067 YOU KNOW I LOVE YOU. 1104 00:23:23,067 --> 00:23:24,200 I NEED YOU TO BE HERE WITH ME. 1105 00:23:24,200 --> 00:23:25,333 I NEED YOU TO BE WITH ME, 1106 00:23:25,333 --> 00:23:27,067 TOTALLY FOCUSED WITH ME. 1107 00:23:27,067 --> 00:23:28,833 I'M FIGHTING FOR MY FAMILY, MAN. 1108 00:23:28,833 --> 00:23:29,533 THAT'S WHERE I'M AT. 1109 00:23:29,533 --> 00:23:30,533 I LOVE MY FAMILY, TOO, 1110 00:23:30,533 --> 00:23:32,067 AND I KNOW I WANT MY SON HOME. 1111 00:23:32,067 --> 00:23:33,633 I KNOW WORKING ON THIS ALBUM 1112 00:23:33,633 --> 00:23:35,767 IS GONNA GET ME THERE. 1113 00:23:35,767 --> 00:23:36,700 OUR SON MESHACH 1114 00:23:36,700 --> 00:23:37,967 IS SEVEN YEARS OLD. 1115 00:23:37,967 --> 00:23:38,933 HE LIVES IN TEXAS 1116 00:23:38,933 --> 00:23:40,233 WITH MY MOTHER AND MY FATHER. 1117 00:23:40,233 --> 00:23:41,167 UNFORTUNATELY, 1118 00:23:41,167 --> 00:23:42,300 LIVING IN THE STUDIO, 1119 00:23:42,300 --> 00:23:43,467 WORKING ON THE ALBUM, 1120 00:23:43,467 --> 00:23:44,933 WORKING ON THE ROAD, 1121 00:23:44,933 --> 00:23:45,767 THAT'S NOT THE BEST FIT 1122 00:23:45,767 --> 00:23:46,467 FOR A CHILD. 1123 00:23:46,467 --> 00:23:48,067 WE NEED TO GET ON OUR GRIND, 1124 00:23:48,067 --> 00:23:49,067 AND GET THIS ALBUM DONE, 1125 00:23:49,067 --> 00:23:50,067 SO WE CAN START FOCUSING 1126 00:23:50,067 --> 00:23:51,433 ON WHAT'S IMPORTANT, 1127 00:23:51,433 --> 00:23:53,667 AND THAT'S OUR SON. 1128 00:23:53,667 --> 00:23:56,200 DO YOU TRUST ME? 1129 00:23:56,200 --> 00:23:56,900 OF COURSE I DO. 1130 00:23:56,900 --> 00:23:59,833 DO YOU LOVE ME? 1131 00:23:59,833 --> 00:24:03,100 MORE THAN I CAN EVEN EXPRESS. 1132 00:24:03,100 --> 00:24:03,800 WELL, YOU KNOW 1133 00:24:03,800 --> 00:24:04,867 I LOVE YOU SO MUCH, RIGHT? 1134 00:24:04,867 --> 00:24:08,067 I NEED YOU BACK. 1135 00:24:08,067 --> 00:24:09,133 I NEED YOU TO GET BACK WITH ME. 1136 00:24:09,133 --> 00:24:10,133 WE NEED TO GET BACK ON-- 1137 00:24:10,133 --> 00:24:11,400 [groans] 1138 00:24:11,400 --> 00:24:14,767 GIVE ME SOME SUGAR, BABE. 1139 00:24:14,767 --> 00:24:15,467 HE SAID, 1140 00:24:15,467 --> 00:24:16,600 "I'LL NEVER HURT YOU. 1141 00:24:16,600 --> 00:24:17,367 I'M HERE FOR YOU, E." 1142 00:24:17,367 --> 00:24:19,133 SO HOW COULD YOU PUT ME 1143 00:24:19,133 --> 00:24:21,100 THROUGH WHAT YOU SAID YOU WOULD 1144 00:24:21,100 --> 00:24:23,333 NEVER [bleep] PUT ME THROUGH? 1145 00:24:33,533 --> 00:24:34,600 NOW THAT ME AND WAKA 1146 00:24:34,600 --> 00:24:35,667 WENT AHEAD AND GOT MARRIED, 1147 00:24:35,667 --> 00:24:37,400 IT'S TIME TO COME CLEAN. 1148 00:24:37,400 --> 00:24:38,967 IT'S TIME TO TELL DEB, 1149 00:24:38,967 --> 00:24:41,100 IT'S TIME TO TELL MY MOM, 1150 00:24:41,100 --> 00:24:41,967 AND I'M NOT LOOKING FORWARD 1151 00:24:41,967 --> 00:24:42,667 TO IT. 1152 00:24:42,667 --> 00:24:44,200 I KNOW THAT MY MOM AND DEB HAD 1153 00:24:44,200 --> 00:24:46,100 PLANS ON THIS BIG OLD WEDDING, 1154 00:24:46,100 --> 00:24:47,100 SO I'M HOPING THAT THEY TAKE 1155 00:24:47,100 --> 00:24:49,100 THE NEWS THAT WE ELOPED WELL. 1156 00:24:49,100 --> 00:24:49,800 I'M HAPPY 1157 00:24:49,800 --> 00:24:51,067 THAT YOU CAME INTO TOWN. 1158 00:24:51,067 --> 00:24:52,467 I'M HAPPY TO BE HERE. 1159 00:24:52,467 --> 00:24:53,167 FOR REAL. 1160 00:24:53,167 --> 00:24:54,167 I'VE BEEN LOOKING FORWARD 1161 00:24:54,167 --> 00:24:55,500 TO THIS FOR A WHILE NOW. 1162 00:24:55,500 --> 00:24:56,233 YEAH, 'CAUSE I'M GLAD 1163 00:24:56,233 --> 00:24:57,800 EVERYBODY'S TOGETHER 'CAUSE WE 1164 00:24:57,800 --> 00:24:59,067 WANTED TO TALK TO YOU GUYS 1165 00:24:59,067 --> 00:25:00,900 ABOUT SOMETHING VERY IMPORTANT. 1166 00:25:00,900 --> 00:25:04,700 THE WEDDING? 1167 00:25:04,700 --> 00:25:05,400 YEAH. 1168 00:25:05,400 --> 00:25:06,200 GETTING READY? 1169 00:25:06,200 --> 00:25:07,800 FOR US TO GET READY FOR THAT? 1170 00:25:07,800 --> 00:25:08,533 YEAH, EXCITING. 1171 00:25:08,533 --> 00:25:09,900 CAN'T WAIT FOR THE WEDDING. 1172 00:25:09,900 --> 00:25:11,400 KIND OF, SORT OF. 1173 00:25:11,400 --> 00:25:13,500 WHAT? 1174 00:25:13,500 --> 00:25:18,600 I'M OFFICIALLY MRS. MALPHURS. 1175 00:25:18,600 --> 00:25:21,967 WE GOT MARRIED ALREADY. 1176 00:25:21,967 --> 00:25:23,600 FOR MAYBE THE FIRST TIME 1177 00:25:23,600 --> 00:25:24,300 IN MY LIFE, 1178 00:25:24,300 --> 00:25:25,500 I'M LOST FOR WORDS 'CAUSE 1179 00:25:25,500 --> 00:25:26,267 AT THIS TIME, 1180 00:25:26,267 --> 00:25:27,233 AIN'T NOTHING RIGHT GONNA 1181 00:25:27,233 --> 00:25:30,900 COME OUT MY DAMN MOUTH. 1182 00:25:30,900 --> 00:25:32,367 WOW. 1183 00:25:32,367 --> 00:25:33,067 YEAH, 1184 00:25:33,067 --> 00:25:33,900 I TOOK HER TO THE COURTHOUSE, 1185 00:25:33,900 --> 00:25:34,733 GOT IT ALL OVER WITH. 1186 00:25:34,733 --> 00:25:35,533 FELT LIKE IT WASN'T ABOUT 1187 00:25:35,533 --> 00:25:38,833 Y'ALL TWO. 1188 00:25:38,833 --> 00:25:39,867 SILENCE. 1189 00:25:39,867 --> 00:25:41,900 NEVER IN LIFE I EVER HEARD 1190 00:25:41,900 --> 00:25:44,500 DEB ANTNEY BE QUIET. 1191 00:25:44,500 --> 00:25:45,367 I KNOW YOU GUYS 1192 00:25:45,367 --> 00:25:46,167 LOVE EACH OTHER, 1193 00:25:46,167 --> 00:25:48,567 AND I AM HAPPY FOR YOU, 1194 00:25:48,567 --> 00:25:50,233 BUT I JUST WANTED TO BE THERE. 1195 00:25:50,233 --> 00:25:50,967 THAT'S ALL. 1196 00:25:50,967 --> 00:25:51,667 I'M TRYING 1197 00:25:51,667 --> 00:25:53,533 TO FIGHT BACK TEARS 1198 00:25:53,533 --> 00:25:55,400 BECAUSE THIS IS VERY EMOTIONAL 1199 00:25:55,400 --> 00:25:56,333 FOR ME RIGHT NOW, 1200 00:25:56,333 --> 00:25:57,933 AND THAT'S JUST REAL [bleep], 1201 00:25:57,933 --> 00:25:59,300 LIKE, FOR REAL. 1202 00:25:59,300 --> 00:26:01,900 I WAS DISAPPOINTED THAT I WASN'T 1203 00:26:01,900 --> 00:26:03,533 ABLE TO SHARE THAT MOMENT. 1204 00:26:03,533 --> 00:26:05,233 I WANTED TO GIVE HIM AWAY 1205 00:26:05,233 --> 00:26:06,367 BECAUSE I WAS YOUR FATHER 1206 00:26:06,367 --> 00:26:08,333 AND YOUR MOTHER ALL YOUR LIFE, 1207 00:26:08,333 --> 00:26:09,200 AND I KNOW MONA 1208 00:26:09,200 --> 00:26:10,567 WANTED TO DO THE SAME, 1209 00:26:10,567 --> 00:26:12,967 AND NOW IT'S NOT GONNA HAPPEN. 1210 00:26:12,967 --> 00:26:16,367 JUST OUT OF CURIOSITY, WHY? 1211 00:26:16,367 --> 00:26:17,200 I FEEL, LIKE, 1212 00:26:17,200 --> 00:26:18,100 WE LOVE EACH OTHER, WE'VE BEEN 1213 00:26:18,100 --> 00:26:19,100 TOGETHER LONG ENOUGH, WE'VE BEEN 1214 00:26:19,100 --> 00:26:20,133 THROUGH A LOT OF STUFF, 1215 00:26:20,133 --> 00:26:21,233 AND IT'S JUST DEEPENING HOW WE 1216 00:26:21,233 --> 00:26:22,467 FEEL, YOU KNOW WHAT I MEAN? 1217 00:26:22,467 --> 00:26:23,500 FOR ME INSIDE, 1218 00:26:23,500 --> 00:26:28,433 IT'S LIKE I'M BEING HIT AGAIN. 1219 00:26:28,433 --> 00:26:29,800 EVEN THOUGH HE'S STILL HERE, 1220 00:26:29,800 --> 00:26:30,600 BUT IT'S STILL, LIKE-- 1221 00:26:30,600 --> 00:26:31,300 RIGHT. 1222 00:26:31,300 --> 00:26:33,067 YOU STILL LOSE, LIKE-- 1223 00:26:33,067 --> 00:26:34,533 YOU DON'T LOSE. YOU GAIN. 1224 00:26:34,533 --> 00:26:35,800 I DID GET--LISTEN TO ME. 1225 00:26:35,800 --> 00:26:37,300 I ALWAYS SAID THAT, 1226 00:26:37,300 --> 00:26:38,700 BUT I DON'T WANT MY KIDS 1227 00:26:38,700 --> 00:26:39,933 TO GROW UP BECAUSE I DON'T WANT 1228 00:26:39,933 --> 00:26:41,067 TO LOSE MY BABIES, 1229 00:26:41,067 --> 00:26:41,900 I DON'T WANT TO LOSE THEM. 1230 00:26:41,900 --> 00:26:43,467 I LIVE FOR THEM. 1231 00:26:43,467 --> 00:26:46,100 COADES COMMITTED SUICIDE, 1232 00:26:46,100 --> 00:26:47,800 AND HERE WE GO, LIKE, A COUPLE 1233 00:26:47,800 --> 00:26:51,467 OF WEEKS LATER, YOU'RE MARRIED. 1234 00:26:51,467 --> 00:26:53,900 I'M VERY PROUD OF YOU BEING 1235 00:26:53,900 --> 00:26:55,867 A RESPONSIBLE PERSON, 1236 00:26:55,867 --> 00:26:57,567 BUT SO SOON AFTER THE DEATH 1237 00:26:57,567 --> 00:26:58,633 OF YOUR BROTHER. 1238 00:26:58,633 --> 00:27:02,533 WHY SO QUICKLY? 1239 00:27:02,533 --> 00:27:04,533 WHY? 1240 00:27:04,533 --> 00:27:05,667 SOMETIMES THERE'S A TIME 1241 00:27:05,667 --> 00:27:06,567 AND A PLACE FOR THINGS, 1242 00:27:06,567 --> 00:27:10,133 AND I AIN'T HAPPY WITH THE WAY 1243 00:27:10,133 --> 00:27:11,333 YOU GUYS DID IT, AND I'M-- 1244 00:27:11,333 --> 00:27:12,667 THAT'S JUST STRAIGHT UP [bleep], 1245 00:27:12,667 --> 00:27:14,300 LIKE, FOR REAL, 1246 00:27:14,300 --> 00:27:15,967 BUT I'M VERY PLEASED 1247 00:27:15,967 --> 00:27:16,733 AND HAPPY TO SEE 1248 00:27:16,733 --> 00:27:20,133 THAT I RAISED A RESPONSIBLE MAN. 1249 00:27:20,133 --> 00:27:20,900 IT'S TOUGH TO SEE 1250 00:27:20,900 --> 00:27:22,200 THE TWO MOST IMPORTANT WOMEN 1251 00:27:22,200 --> 00:27:22,967 IN YOUR LIFE LOOK AT YOU 1252 00:27:22,967 --> 00:27:24,700 WITH SUCH DISAPPOINTMENT, 1253 00:27:24,700 --> 00:27:25,800 BUT I'M HOPING THAT THEY'LL SEE 1254 00:27:25,800 --> 00:27:27,467 THAT ME AND WAKA MADE A DECISION 1255 00:27:27,467 --> 00:27:29,567 ON OUR OWN FOR OUR FAMILY. 1256 00:27:44,867 --> 00:27:46,867 HELLO? 1257 00:27:49,333 --> 00:27:50,167 HELLO. 1258 00:27:50,167 --> 00:27:51,600 OH, WOW. YEAH. 1259 00:27:51,600 --> 00:27:54,333 I BOUGHT YOU SOME FLOWERS. 1260 00:27:54,333 --> 00:27:55,333 SCRAPPY AND I 1261 00:27:55,333 --> 00:27:56,500 TALKED ABOUT THE SITUATION 1262 00:27:56,500 --> 00:27:57,233 THAT HAPPENED 1263 00:27:57,233 --> 00:27:59,067 BETWEEN HIM AND ERICA PINKETT, 1264 00:27:59,067 --> 00:28:00,233 AND I KNOW THERE'S TWO SIDES 1265 00:28:00,233 --> 00:28:00,967 TO EVERY STORY, 1266 00:28:00,967 --> 00:28:01,967 BUT THIS TIME 1267 00:28:01,967 --> 00:28:04,267 I HAD TO ADMIT, SCRAPPY-- 1268 00:28:04,267 --> 00:28:06,567 HE REALLY [bleep] UP. 1269 00:28:06,567 --> 00:28:07,600 I WANTED TO REACH OUT 1270 00:28:07,600 --> 00:28:08,833 TO ERICA PINKETT, 1271 00:28:08,833 --> 00:28:10,300 AND SEE HOW SHE'S DOING. 1272 00:28:10,300 --> 00:28:11,767 SO, YOU KNOW, 1273 00:28:11,767 --> 00:28:14,100 I TALKED TO SCRAPPY, 1274 00:28:14,100 --> 00:28:16,833 AND I DIDN'T LIKE WHAT I HEARD. 1275 00:28:16,833 --> 00:28:18,400 I'M NOT DOWN WITH EVERYTHING 1276 00:28:18,400 --> 00:28:19,733 THAT MY SON DOES. 1277 00:28:19,733 --> 00:28:20,433 I'M A WOMAN. 1278 00:28:20,433 --> 00:28:21,133 RIGHT. 1279 00:28:21,133 --> 00:28:21,833 AND WE WOMEN 1280 00:28:21,833 --> 00:28:22,667 HAVE TO STICK TOGETHER. 1281 00:28:22,667 --> 00:28:24,767 I'M SO [bleep] MAD BECAUSE I 1282 00:28:24,767 --> 00:28:26,233 SHOWED HIM THE MESSAGES, GIRL, 1283 00:28:26,233 --> 00:28:27,133 AND HE STARTED ACTING 1284 00:28:27,133 --> 00:28:28,767 LIKE HE AIN'T NEVER SENT THEM. 1285 00:28:28,767 --> 00:28:30,267 LIKE, GROW UP AND SAY, 1286 00:28:30,267 --> 00:28:31,533 "I DID THAT. 1287 00:28:31,533 --> 00:28:32,667 I TEXT YOU THAT 1288 00:28:32,667 --> 00:28:34,067 BECAUSE I AM IN LOVE WITH YOU." 1289 00:28:34,067 --> 00:28:34,767 MM-HMM. 1290 00:28:34,767 --> 00:28:35,833 IF YOU CAN'T SAY THAT, 1291 00:28:35,833 --> 00:28:37,233 THEN DON'T TEXT ME THAT [bleep]. 1292 00:28:37,233 --> 00:28:38,333 AND THEN WHEN THINGS [bleep] 1293 00:28:38,333 --> 00:28:39,233 GET STARTED UP, 1294 00:28:39,233 --> 00:28:40,967 I'VE NEVER SEEN HIM SO ANGRY. 1295 00:28:40,967 --> 00:28:41,700 REALLY? 1296 00:28:41,700 --> 00:28:43,800 BITCH THIS AND BUM BITCH. 1297 00:28:43,800 --> 00:28:45,967 I SAID, "BUM? ME? 1298 00:28:45,967 --> 00:28:47,067 YOU MUST BE TALKING ABOUT 1299 00:28:47,067 --> 00:28:48,667 YOUR BIRD BITCH THAT YOU WITH." 1300 00:28:48,667 --> 00:28:49,367 I KNOW FRIENDS 1301 00:28:49,367 --> 00:28:50,967 GO THROUGH THINGS, BUT I NEVER 1302 00:28:50,967 --> 00:28:52,067 EXPECTED FOR MY FRIEND 1303 00:28:52,067 --> 00:28:53,667 TO CALL ME A BUM BITCH. 1304 00:28:53,667 --> 00:28:54,533 HE ACTUALLY KNOWS 1305 00:28:54,533 --> 00:28:55,967 WHAT ABUSIVE PAST I COME FROM, 1306 00:28:55,967 --> 00:28:57,333 AND I NEVER WOULD HAVE THOUGHT 1307 00:28:57,333 --> 00:28:58,067 THAT WOULD HAVE 1308 00:28:58,067 --> 00:28:59,067 BEEN COMING FROM HIM. 1309 00:28:59,067 --> 00:29:00,600 YOU KNOW WHAT, MOMMA DEE, ALL 1310 00:29:00,600 --> 00:29:02,500 THAT I WAS REALLY LOOKING FOR, 1311 00:29:02,500 --> 00:29:03,733 SOMEBODY TO, LIKE, 1312 00:29:03,733 --> 00:29:05,100 JUST SAY, "I'M HERE, YOU KNOW, 1313 00:29:05,100 --> 00:29:05,933 IF YOU WANT TO TALK 1314 00:29:05,933 --> 00:29:07,067 OR WHATEVER." 1315 00:29:07,067 --> 00:29:08,267 AND, LIKE, YOUR SON 1316 00:29:08,267 --> 00:29:09,433 WAS THAT FOR ME, YOU KNOW. 1317 00:29:09,433 --> 00:29:10,133 MM-HMM. 1318 00:29:10,133 --> 00:29:11,733 LIKE, WHEN I FIRST MET HIM, 1319 00:29:11,733 --> 00:29:12,833 HE CONFIDED IN ME, 1320 00:29:12,833 --> 00:29:14,333 AND I JUST FELT, LIKE, 1321 00:29:14,333 --> 00:29:16,467 MY FRIEND WOULD NEVER 1322 00:29:16,467 --> 00:29:18,333 TURN AGAINST ME IN THE WAY 1323 00:29:18,333 --> 00:29:20,900 THAT HE DID THE OTHER DAY, 1324 00:29:20,900 --> 00:29:24,833 BUT I STILL SEE WHAT HE CAN BE. 1325 00:29:24,833 --> 00:29:25,567 MM-HMM. 1326 00:29:25,567 --> 00:29:27,267 AND I STILL SEE HIM BEING 1327 00:29:27,267 --> 00:29:29,400 THAT MAN ONE DAY. 1328 00:29:29,400 --> 00:29:32,267 HE'S NOT THAT RIGHT NOW. 1329 00:29:32,267 --> 00:29:33,133 I'VE NEVER SEEN HIM SO ANGRY 1330 00:29:33,133 --> 00:29:37,700 AND IRATE. 1331 00:29:37,700 --> 00:29:39,067 WHEN I LOOKED AT YOUR SON, 1332 00:29:39,067 --> 00:29:39,733 I FELT, LIKE, 1333 00:29:39,733 --> 00:29:41,633 I DIDN'T KNOW WHO THAT WAS. 1334 00:29:41,633 --> 00:29:42,367 MOMMA DEE, 1335 00:29:42,367 --> 00:29:44,600 I DIDN'T KNOW WHO HE WAS. 1336 00:29:44,600 --> 00:29:47,067 MY LAST SITUATION 1337 00:29:47,067 --> 00:29:49,800 WAS SO [bleep] UP AND ABUSIVE, 1338 00:29:49,800 --> 00:29:53,067 AND I EXPRESSED THAT WITH HIM. 1339 00:29:53,067 --> 00:29:54,400 HE SAID, "I'LL NEVER HURT YOU, 1340 00:29:54,400 --> 00:29:55,867 LIKE, I'LL NEVER MAKE YOU FEEL, 1341 00:29:55,867 --> 00:29:56,833 LIKE, YOU CAN'T TRUST ME. 1342 00:29:56,833 --> 00:29:57,900 I'M HERE FOR YOU, E." 1343 00:29:57,900 --> 00:29:59,567 HE SAID THAT TO ME. 1344 00:29:59,567 --> 00:30:01,500 SO HOW COULD YOU PUT ME THROUGH 1345 00:30:01,500 --> 00:30:03,800 WHAT YOU SAID YOU WOULD NEVER 1346 00:30:03,800 --> 00:30:06,200 [bleep] PUT ME THROUGH? 1347 00:30:06,200 --> 00:30:08,167 DO YOU KNOW HOW THAT HURTS ME? 1348 00:30:08,167 --> 00:30:10,633 THIS WILL NEVER HAPPEN AGAIN. 1349 00:30:10,633 --> 00:30:14,800 I APOLOGIZE ON HIS BEHALF, 1350 00:30:14,800 --> 00:30:15,933 AND I PROMISE YOU 1351 00:30:15,933 --> 00:30:18,133 IT'S GONNA BE ADDRESSED. 1352 00:30:18,133 --> 00:30:20,500 HE'S GONNA F'ING LISTEN 1353 00:30:20,500 --> 00:30:23,900 AND LEARN HIS LESSONS. 1354 00:30:23,900 --> 00:30:26,667 IT'S OKAY. IT'S OKAY, ERICA. 1355 00:30:26,667 --> 00:30:27,833 IT'S OKAY. 1356 00:30:27,833 --> 00:30:29,200 I GOT YOUR BACK. 1357 00:30:29,200 --> 00:30:30,400 STEVIE'S A LIAR. 1358 00:30:30,400 --> 00:30:31,200 I'M NOT THINKING ABOUT HIM, 1359 00:30:31,200 --> 00:30:32,400 AND I'M GOING OUT OF TOWN, 1360 00:30:32,400 --> 00:30:33,700 AND I'M GONNA DO ME. 1361 00:30:33,700 --> 00:30:34,767 I NEED TO SEE OTHER MEN, 1362 00:30:34,767 --> 00:30:35,533 OTHER WOMEN. 1363 00:30:35,533 --> 00:30:36,233 I NEED TO SEE PEOPLE. 1364 00:30:36,233 --> 00:30:36,900 WOW. 1365 00:30:36,900 --> 00:30:38,900 YOU KNOW. 1366 00:30:49,133 --> 00:30:50,933 HEY. 1367 00:30:50,933 --> 00:30:51,800 YOU LOOK GORGEOUS. 1368 00:30:51,800 --> 00:30:52,633 WHAT'S GOING ON? 1369 00:30:52,633 --> 00:30:53,800 YOU LOOK BEAUTIFUL. 1370 00:30:53,800 --> 00:30:54,633 YOU LOOK PRETTY. 1371 00:30:54,633 --> 00:30:55,533 WHAT'S UP, BOO? 1372 00:30:55,533 --> 00:30:56,267 GOOD. 1373 00:30:56,267 --> 00:30:57,867 THE LAST TIME I SAW JOSELINE, 1374 00:30:57,867 --> 00:30:58,733 YOU KNOW I HAD TO DROP 1375 00:30:58,733 --> 00:30:59,867 SOME BAD NEWS ON HER, 1376 00:30:59,867 --> 00:31:00,767 SO THIS TIME, 1377 00:31:00,767 --> 00:31:01,700 I HAD TO TAKE HER TO LUNCH 1378 00:31:01,700 --> 00:31:02,867 AND SEE HOW EVERYTHING'S 1379 00:31:02,867 --> 00:31:04,100 GOING ON AT HOME. 1380 00:31:04,100 --> 00:31:04,833 WAIT, DID YOU 1381 00:31:04,833 --> 00:31:05,867 FIND OUT ABOUT ALTHEA? 1382 00:31:05,867 --> 00:31:06,600 GIRL, YOU KNOW, 1383 00:31:06,600 --> 00:31:09,100 HE BE BULL [bleep]. 1384 00:31:09,100 --> 00:31:10,533 "I'VE NEVER DONE THAT, 1385 00:31:10,533 --> 00:31:12,200 AND I WOULD NEVER DO THAT." 1386 00:31:12,200 --> 00:31:13,067 I'M LIKE, "YOU KNOW WHAT? 1387 00:31:13,067 --> 00:31:13,900 SHUT THE [bleep] UP 'CAUSE 1388 00:31:13,900 --> 00:31:14,900 YOU A [bleep] LIAR." 1389 00:31:14,900 --> 00:31:15,600 HE DENIED IT? 1390 00:31:15,600 --> 00:31:16,300 OH, WHAT DO YOU THINK, 1391 00:31:16,300 --> 00:31:17,133 HE'S GONNA TELL ME THE TRUTH? 1392 00:31:17,133 --> 00:31:17,900 OH, YOU THINK HE'S GONNA 1393 00:31:17,900 --> 00:31:18,600 TELL ME THE TRUTH? 1394 00:31:18,600 --> 00:31:19,333 OH, YOU THINK HE'S GONNA 1395 00:31:19,333 --> 00:31:20,133 SIT THERE IN MY FACE AND SAY, 1396 00:31:20,133 --> 00:31:21,700 "OH, JOSELINE, I DID IT, 1397 00:31:21,700 --> 00:31:22,533 AND I'M SORRY"? 1398 00:31:22,533 --> 00:31:23,833 NO, GIRL, AIN'T NO TELLING 1399 00:31:23,833 --> 00:31:25,267 WHO ELSE HE [bleep]. LISTEN-- 1400 00:31:25,267 --> 00:31:26,767 I MEAN, I JUST THINK, I MEAN, 1401 00:31:26,767 --> 00:31:28,267 AT THIS POINT, YOU'RE MARRIED. 1402 00:31:28,267 --> 00:31:29,667 BE HONEST. COME ON. 1403 00:31:29,667 --> 00:31:31,433 HE'S NOT GONNA EVER 1404 00:31:31,433 --> 00:31:32,367 TELL THE TRUTH 'CAUSE 1405 00:31:32,367 --> 00:31:33,300 THAT'S JUST WHAT HE DOES. 1406 00:31:33,300 --> 00:31:34,067 MM. 1407 00:31:34,067 --> 00:31:34,900 STEVIE'S A LIAR. 1408 00:31:34,900 --> 00:31:36,200 HE'S A [bleep] LIAR, 1409 00:31:36,200 --> 00:31:37,367 AND THEN WHEN I WAS AT HOME, 1410 00:31:37,367 --> 00:31:38,233 HE'S LIKE, "YOU'RE NOT GONNA 1411 00:31:38,233 --> 00:31:38,933 COME IN YOUR ROOM?" 1412 00:31:38,933 --> 00:31:39,700 'CAUSE I HAVEN'T BEEN 1413 00:31:39,700 --> 00:31:40,467 SLEEPING WITH HIM 'CAUSE 1414 00:31:40,467 --> 00:31:41,167 I DON'T EVEN WANT-- 1415 00:31:41,167 --> 00:31:41,933 SINCE THIS WHOLE THING? 1416 00:31:41,933 --> 00:31:42,733 SINCE EVERYTHING--SINCE 1417 00:31:42,733 --> 00:31:43,800 THIS WHOLE THING, YOU KNOW. 1418 00:31:43,800 --> 00:31:44,533 WOW. 1419 00:31:44,533 --> 00:31:45,867 I'M GONNA TELL YOU LIKE THIS. 1420 00:31:45,867 --> 00:31:47,100 I'M OVER HIS ASS, 1421 00:31:47,100 --> 00:31:47,967 AND I'M GOING OUT OF TOWN. 1422 00:31:47,967 --> 00:31:48,667 GOT TO LEAVE. 1423 00:31:48,667 --> 00:31:49,567 WHERE ARE YOU GOING? 1424 00:31:49,567 --> 00:31:51,067 I NEED TO SEE OTHER MEN, 1425 00:31:51,067 --> 00:31:51,733 OTHER WOMEN. 1426 00:31:51,733 --> 00:31:52,600 I NEED TO SEE PEOPLE. 1427 00:31:52,600 --> 00:31:53,300 LIKE, 1428 00:31:53,300 --> 00:31:54,500 I'M ALWAYS JUST SEEING HIM. 1429 00:31:54,500 --> 00:31:56,333 EVERYTHING I SEE, HIS FACE. 1430 00:31:56,333 --> 00:31:57,933 I DON'T WANT TO LOOK AT HIM. 1431 00:31:57,933 --> 00:31:59,133 I DON'T CARE WHAT NOBODY SAY. 1432 00:31:59,133 --> 00:31:59,867 ANYBODY CAN THINK 1433 00:31:59,867 --> 00:32:01,167 WHATEVER THEY WANT THINK. 1434 00:32:01,167 --> 00:32:02,533 GIRL, I'M THIS CLOSE TO GOING 1435 00:32:02,533 --> 00:32:03,333 AND GETTING ME AN APARTMENT 1436 00:32:03,333 --> 00:32:04,367 OR GO DOING MY OWN THING, 1437 00:32:04,367 --> 00:32:06,633 LIKE--YEAH. 1438 00:32:06,633 --> 00:32:07,400 YEAH. 1439 00:32:07,400 --> 00:32:08,867 NO. 1440 00:32:08,867 --> 00:32:09,800 GIRL, I DON'T KNOW WHY PEOPLE 1441 00:32:09,800 --> 00:32:10,733 THINK I LOVE HIM SO MUCH 1442 00:32:10,733 --> 00:32:12,533 WHERE I CAN'T LIVE WITHOUT HIM. 1443 00:32:12,533 --> 00:32:13,600 YOU ARE NOT. 1444 00:32:13,600 --> 00:32:14,400 YOU KNOW WHAT I 1445 00:32:14,400 --> 00:32:16,567 TAKE MY HUSBAND AS, AS MY TRICK. 1446 00:32:16,567 --> 00:32:17,500 I'M GONNA TELL YOU LIKE THIS, 1447 00:32:17,500 --> 00:32:18,500 KARLIE. 1448 00:32:18,500 --> 00:32:19,400 I'M NOT THINKING ABOUT HIM, 1449 00:32:19,400 --> 00:32:20,533 AND I'M GOING OUT OF TOWN, 1450 00:32:20,533 --> 00:32:21,800 AND I'M GONNA DO ME, 1451 00:32:21,800 --> 00:32:22,667 AND ANYTHING ELSE REALLY 1452 00:32:22,667 --> 00:32:23,767 DON'T EVEN MATTER 'CAUSE IT'S 1453 00:32:23,767 --> 00:32:24,900 ALL ABOUT JOSELINE HERNANDEZ. 1454 00:32:24,900 --> 00:32:25,700 WHEN IT'S ALL ABOUT ME, 1455 00:32:25,700 --> 00:32:26,467 IT'S ALL ABOUT ME. 1456 00:32:26,467 --> 00:32:27,767 I'M NOT THINKING ABOUT HIM 1457 00:32:27,767 --> 00:32:28,733 OR NO THROWBACK ASS HO. 1458 00:32:28,733 --> 00:32:29,400 I AIN'T THINK 1459 00:32:29,400 --> 00:32:30,700 ABOUT THAT HO 'CAUSE 1460 00:32:30,700 --> 00:32:31,400 SHE'S NOT NOTHING 1461 00:32:31,400 --> 00:32:32,333 FOR ME TO THINK ABOUT. 1462 00:32:32,333 --> 00:32:33,400 TRUST ME AND BELIEVE THAT. 1463 00:32:33,400 --> 00:32:34,100 BITCH, I'M HAPPY 1464 00:32:34,100 --> 00:32:35,600 BECAUSE I WANT TO BE HAPPY. 1465 00:32:35,600 --> 00:32:36,267 IT AIN'T NOTHING 1466 00:32:36,267 --> 00:32:37,300 THAT MY HUSBAND IS DOING, 1467 00:32:37,300 --> 00:32:38,067 IT AIN'T NOTHING 1468 00:32:38,067 --> 00:32:39,167 THAT NOBODY CAN TELL ME. 1469 00:32:39,167 --> 00:32:40,400 I'M JUST A BAD BITCH, 1470 00:32:40,400 --> 00:32:41,933 I GOT A CAREER, AND I KNOW 1471 00:32:41,933 --> 00:32:43,200 MY HEAD IS ON STRAIGHT. 1472 00:32:43,200 --> 00:32:44,133 ALTHEA IS GONNA GET 1473 00:32:44,133 --> 00:32:45,433 WHAT SHE DESERVE. 1474 00:32:45,433 --> 00:32:47,433 BITCH, I'M THE BOSS. 1475 00:32:54,367 --> 00:32:55,167 SO WE HERE. 1476 00:32:55,167 --> 00:32:56,567 YES. 1477 00:32:56,567 --> 00:32:57,933 DID YOU ASK PERMISSION? 1478 00:32:57,933 --> 00:32:59,300 NO. HE LET ME DO IT. 1479 00:32:59,300 --> 00:33:00,100 'CAUSE I FEEL 1480 00:33:00,100 --> 00:33:02,300 LIKE I'M SHARING YOU. 1481 00:33:02,300 --> 00:33:04,433 AS YOU SHOULD, THOUGH. 1482 00:33:04,433 --> 00:33:06,733 I'M MARRIED. 1483 00:33:06,733 --> 00:33:08,400 THIS IS GONNA BE REALLY HARD. 1484 00:33:08,400 --> 00:33:09,200 I PROMISED TONY 1485 00:33:09,200 --> 00:33:10,467 THAT ASHLEY WOULD BE LEAVING, 1486 00:33:10,467 --> 00:33:12,333 BUT BREAKING THE NEWS TO HER IS 1487 00:33:12,333 --> 00:33:14,167 GONNA BE REALLY HARD, PROBABLY 1488 00:33:14,167 --> 00:33:14,967 ONE OF THE HARDEST THINGS 1489 00:33:14,967 --> 00:33:15,967 I EVER HAD TO DO. 1490 00:33:15,967 --> 00:33:16,800 I'M GONNA BE HONEST WITH YOU, 1491 00:33:16,800 --> 00:33:17,533 ASHLEY. 1492 00:33:17,533 --> 00:33:19,333 LIKE, YOU BEING HERE 1493 00:33:19,333 --> 00:33:21,133 HAS BEEN A WONDERFUL EXPERIENCE, 1494 00:33:21,133 --> 00:33:22,867 BUT I HAVE TO CONCENTRATE 1495 00:33:22,867 --> 00:33:24,133 ON MY MARRIAGE. 1496 00:33:24,133 --> 00:33:25,800 DO YOU LOVE ME? 1497 00:33:25,800 --> 00:33:27,800 ASHLEY, I LOVE YOU SO MUCH, 1498 00:33:27,800 --> 00:33:31,600 BUT I LOVE MY HUSBAND MORE. 1499 00:33:31,600 --> 00:33:34,300 IS THAT, LIKE, A MORE, MORE, 1500 00:33:34,300 --> 00:33:35,700 OR IS IT MAYBE, LIKE, 1501 00:33:35,700 --> 00:33:38,367 A DIFFERENT KIND OF WAY MORE? 1502 00:33:38,367 --> 00:33:39,867 IT'S A MORE, MORE. 1503 00:33:39,867 --> 00:33:40,900 LIKE, YOU KNOW, 1504 00:33:40,900 --> 00:33:42,133 I WANT TO BE BURIED ON TOP 1505 00:33:42,133 --> 00:33:43,667 OF MY HUSBAND WHEN I DIE. 1506 00:33:43,667 --> 00:33:44,967 THEY DON'T GOT PLOTS THAT GOT, 1507 00:33:44,967 --> 00:33:46,367 LIKE, HUSBAND, WIFE, 1508 00:33:46,367 --> 00:33:47,067 AND GIRLFRIEND. 1509 00:33:47,067 --> 00:33:47,833 I THINK YOU WOULD HAVE 1510 00:33:47,833 --> 00:33:48,733 BEEN BETTER OFF SAYING 1511 00:33:48,733 --> 00:33:50,800 A DIFFERENT KIND OF WAY MORE. 1512 00:33:50,800 --> 00:33:53,433 WHY? 1513 00:33:53,433 --> 00:33:56,833 THAT HURT YOUR FEELINGS? 1514 00:33:56,833 --> 00:33:58,067 CAN I TAKE THAT BACK? 1515 00:33:58,067 --> 00:33:59,067 DON'T CRY. 1516 00:33:59,067 --> 00:34:00,300 DON'T DO THAT. 1517 00:34:00,300 --> 00:34:01,967 ASHLEY, PLEASE STOP. 1518 00:34:01,967 --> 00:34:04,967 PLEASE STOP. PLEASE. 1519 00:34:04,967 --> 00:34:08,700 THAT WAS HURTFUL. 1520 00:34:08,700 --> 00:34:10,567 THIS HAS TO BE, 1521 00:34:10,567 --> 00:34:11,567 LIKE, THE HARDEST THING 1522 00:34:11,567 --> 00:34:13,133 FOR ME TO SIT HERE WITH 1523 00:34:13,133 --> 00:34:15,333 MY BEST FRIEND, AND TELL HER 1524 00:34:15,333 --> 00:34:17,667 THAT WE CAN'T [bleep] AROUND 1525 00:34:17,667 --> 00:34:18,367 LIKE THAT NO MORE. 1526 00:34:18,367 --> 00:34:21,400 THAT'S FINE. 1527 00:34:21,400 --> 00:34:25,733 I GET IT. 1528 00:34:25,733 --> 00:34:26,867 THE LAST THING I WANT TO DO 1529 00:34:26,867 --> 00:34:28,500 IS HURT ASHLEY'S FEELINGS. 1530 00:34:28,500 --> 00:34:29,400 I'LL ALWAYS LOVE HER 1531 00:34:29,400 --> 00:34:31,100 FROM THE BOTTOM OF MY HEART, 1532 00:34:31,100 --> 00:34:32,267 BUT I KNOW THAT WHAT WE'VE BEEN 1533 00:34:32,267 --> 00:34:34,433 DOING, IT HAS TO BE OVER. 1534 00:34:34,433 --> 00:34:35,433 I HAVE TO PUT MY ENERGY 1535 00:34:35,433 --> 00:34:38,300 INTO MY HUSBAND, MY CAREER, 1536 00:34:38,300 --> 00:34:39,433 AND MY SON. 1537 00:34:39,433 --> 00:34:41,067 THAT'S ALL I GOT ROOM FOR. 1538 00:34:41,067 --> 00:34:42,767 LET ME TELL YOU SOMETHING. 1539 00:34:42,767 --> 00:34:43,533 I DON'T WANT TO KEEP 1540 00:34:43,533 --> 00:34:44,600 MAKING YOU FEEL NO KIND OF WAY. 1541 00:34:44,600 --> 00:34:45,300 I DON'T WANT TO KEEP 1542 00:34:45,300 --> 00:34:46,400 MAKING YOU FEEL, LIKE, 1543 00:34:46,400 --> 00:34:47,300 YOU DON'T HAVE A FRIEND 1544 00:34:47,300 --> 00:34:48,167 IN ME BECAUSE YOU DO. 1545 00:34:48,167 --> 00:34:48,867 YOU HELPED 1546 00:34:48,867 --> 00:34:49,667 ME GET SOME STRESS OFF, 1547 00:34:49,667 --> 00:34:50,700 BUT YOU ALSO HELPED ME REALIZE 1548 00:34:50,700 --> 00:34:51,367 WHAT THE 1549 00:34:51,367 --> 00:34:52,767 [bleep] I NEED TO BE DOING, 1550 00:34:52,767 --> 00:34:54,300 AND I NEED TO STAY FOCUSED. 1551 00:34:54,300 --> 00:34:56,300 IF I DO NOT STAY FOCUSED ON THE 1552 00:34:56,300 --> 00:34:57,167 [bleep] THAT I'M TRYING TO DO-- 1553 00:34:57,167 --> 00:34:57,900 I DON'T WANT MY SON 1554 00:34:57,900 --> 00:34:59,067 LIVING ON THE 27 ACRE 1555 00:34:59,067 --> 00:35:00,733 WITH MY MOM JUST BY HIS SELF. 1556 00:35:00,733 --> 00:35:01,533 I DON'T WANT THAT. 1557 00:35:01,533 --> 00:35:02,667 I WANT MY SON HOME, 1558 00:35:02,667 --> 00:35:03,567 AND RIGHT NOW THE ONLY WAY 1559 00:35:03,567 --> 00:35:04,333 I KNOW HOW TO DO THAT 1560 00:35:04,333 --> 00:35:05,967 IS STAY FOCUSED, AND IT JUST BE, 1561 00:35:05,967 --> 00:35:07,600 LIKE, SO MANY PEOPLE PULLING ME 1562 00:35:07,600 --> 00:35:08,467 FROM DIFFERENT ANGLES, 1563 00:35:08,467 --> 00:35:09,833 AND THE [bleep] BE CRAZY. 1564 00:35:09,833 --> 00:35:11,833 IT BE CRAZY. 1565 00:35:11,833 --> 00:35:14,200 [bleep] IT. 1566 00:35:14,200 --> 00:35:17,267 I'M GOING HOME. 1567 00:35:17,267 --> 00:35:18,067 I'M SORRY. 1568 00:35:18,067 --> 00:35:20,800 IT'S OVER BETWEEN US, RIGHT? 1569 00:35:20,800 --> 00:35:22,933 NO MORE RENDEZVOUS. 1570 00:35:22,933 --> 00:35:23,733 I DON'T WANT THIS TO BE 1571 00:35:23,733 --> 00:35:26,667 THE END OF OUR FRIENDSHIP. 1572 00:35:26,667 --> 00:35:27,433 I WANT IT TO BE-- 1573 00:35:27,433 --> 00:35:28,133 NEVER. 1574 00:35:28,133 --> 00:35:29,067 A NEW [bleep] BEGINNING. 1575 00:35:29,067 --> 00:35:31,067 NO MORE FEELING BREAST, 1576 00:35:31,067 --> 00:35:33,200 NO MORE RUBBING YOUR ASS. 1577 00:35:33,200 --> 00:35:35,467 I NEED YOU IN MY LIFE FOREVER, 1578 00:35:35,467 --> 00:35:37,200 BUT WE CAN'T BE LIKE THAT. 1579 00:35:37,200 --> 00:35:39,067 THAT'S ALL I'M SAYING. 1580 00:35:39,067 --> 00:35:39,867 I GET IT, THOUGH. 1581 00:35:39,867 --> 00:35:41,267 IT'S NOT LIKE I DON'T GET IT. 1582 00:35:41,267 --> 00:35:42,067 IT'S ONLY RIGHT. 1583 00:35:42,067 --> 00:35:42,800 YOU KNOW WHAT I'M SAYING? 1584 00:35:42,800 --> 00:35:43,800 LIKE, IF I DIDN'T CARE 1585 00:35:43,800 --> 00:35:45,433 ABOUT MYSELF TOO AS WELL-- 1586 00:35:45,433 --> 00:35:46,367 REAL TALK. 1587 00:35:46,367 --> 00:35:47,467 THEN I WOULDN'T BE A PERSON. 1588 00:35:47,467 --> 00:35:48,400 REAL TALK, AND THAT'S 1589 00:35:48,400 --> 00:35:49,333 WHAT I LOVE YOU FOR, MAN. 1590 00:35:49,333 --> 00:35:50,400 THAT'S WHY YOU'RE MY BEST FRIEND 1591 00:35:50,400 --> 00:35:51,433 BECAUSE YOUR HEART 1592 00:35:51,433 --> 00:35:52,500 IS BIGGER THAN ANYTHING-- 1593 00:35:52,500 --> 00:35:53,500 ABSOLUTELY. 1594 00:35:53,500 --> 00:35:54,833 SHALLOW. 1595 00:35:54,833 --> 00:35:55,833 THANK YOU FOR UNDERSTANDING. 1596 00:35:55,833 --> 00:35:57,600 OF COURSE. 1597 00:35:57,600 --> 00:36:00,500 I GET IT. 1598 00:36:00,500 --> 00:36:01,500 I'VE NEVER WANTED TO BE 1599 00:36:01,500 --> 00:36:03,267 WITH ANYBODY MORE IN MY LIFE. 1600 00:36:03,267 --> 00:36:04,233 OH, BABE. 1601 00:36:04,233 --> 00:36:05,100 WELL-- 1602 00:36:05,100 --> 00:36:06,600 WHAT'S WRONG, BABE? 1603 00:36:06,600 --> 00:36:08,600 OH, MY GOD. 1604 00:36:20,133 --> 00:36:21,233 * IT'S WHAT HAPPENS WHEN ♪ 1605 00:36:21,233 --> 00:36:24,533 ♪ THE SPARKS, SPARKS FLY 1606 00:36:24,533 --> 00:36:27,833 ♪ WHEN THE SPARKS, SPARKS FLY 1607 00:36:27,833 --> 00:36:29,300 ♪ THE COLORS NEVER SEEM 1608 00:36:29,300 --> 00:36:31,700 ♪ SO BRIGHT 1609 00:36:31,700 --> 00:36:34,600 ♪WHEN THE SPARKS, SPARKS FLY ♪ 1610 00:36:34,600 --> 00:36:35,667 * TELL 'EM WHAT IT FEELS ♪ 1611 00:36:35,667 --> 00:36:37,933 ♪LIKE ♪ 1612 00:36:37,933 --> 00:36:39,300 THIS IS SO NICE. 1613 00:36:39,300 --> 00:36:39,967 IT'S ROMANTIC. 1614 00:36:39,967 --> 00:36:40,633 IT'S BEAUTIFUL. 1615 00:36:40,633 --> 00:36:42,467 IT'S JUST MAGICAL. 1616 00:36:42,467 --> 00:36:43,533 YOU KNOW, AND OUR RELATIONSHIP, 1617 00:36:43,533 --> 00:36:44,533 I FEEL LIKE, IS MAGICAL. 1618 00:36:44,533 --> 00:36:45,400 MM. 1619 00:36:45,400 --> 00:36:46,100 I MEAN, HONESTLY. 1620 00:36:46,100 --> 00:36:47,200 IT HAS BEEN LIKE A RIDE. 1621 00:36:47,200 --> 00:36:48,167 YOU KNOW WHAT I'M SAYING? 1622 00:36:48,167 --> 00:36:48,833 I'VE HAD--YOU KNOW, 1623 00:36:48,833 --> 00:36:50,133 ALTHEA, I LOVE YOU. 1624 00:36:50,133 --> 00:36:51,967 WHAT I WENT THROUGH 1625 00:36:51,967 --> 00:36:53,400 AND YOU BEING NEXT TO ME, THAT 1626 00:36:53,400 --> 00:36:56,167 WAS, LIKE, THAT WAS FOR REAL. 1627 00:36:56,167 --> 00:36:56,967 THAT JUST SHOWED ME 1628 00:36:56,967 --> 00:36:57,667 THAT YOU'RE THE ONE. 1629 00:36:57,667 --> 00:36:59,800 MM. 1630 00:36:59,800 --> 00:37:01,333 WAKING UP AND SEEING ALTHEA 1631 00:37:01,333 --> 00:37:02,800 BY MY SIDE IN THAT HOSPITAL 1632 00:37:02,800 --> 00:37:03,700 MEANT EVERYTHING TO ME, 1633 00:37:03,700 --> 00:37:04,833 AND SHE REALLY, 1634 00:37:04,833 --> 00:37:07,067 REALLY SHOWED ME THAT, YOU KNOW, 1635 00:37:07,067 --> 00:37:08,100 WHEN THE GOING GETS TOUGH, 1636 00:37:08,100 --> 00:37:08,800 THEA-THEA AIN'T-- 1637 00:37:08,800 --> 00:37:10,300 SHE AIN'T GOING NOWHERE. 1638 00:37:10,300 --> 00:37:12,067 ALL I CARE ABOUT IS NOW. 1639 00:37:12,067 --> 00:37:13,467 I EVEN TOOK MY SLING OFF. 1640 00:37:13,467 --> 00:37:14,267 YOU KNOW WHAT I'M SAYING? 1641 00:37:14,267 --> 00:37:15,533 AND MY ARM'S NOT ALL THE WAY 1642 00:37:15,533 --> 00:37:16,967 THERE YET, BUT BELIEVE ME, 1643 00:37:16,967 --> 00:37:18,200 IT'S ALL ABOUT RIGHT NOW, 1644 00:37:18,200 --> 00:37:19,500 AND IT'S ABOUT OUR FUTURE. 1645 00:37:19,500 --> 00:37:20,200 DID YOU EVER THINK 1646 00:37:20,200 --> 00:37:21,367 THAT YOU WOULD COME TO ATLANTA 1647 00:37:21,367 --> 00:37:22,500 AND JUST FIND YOUR SOUL MATE? 1648 00:37:22,500 --> 00:37:23,733 NO. 1649 00:37:23,733 --> 00:37:25,067 ME NEITHER. 1650 00:37:25,067 --> 00:37:26,733 I FELL FOR YOU HARD, MAN. WHOA. 1651 00:37:26,733 --> 00:37:27,433 OOH. 1652 00:37:27,433 --> 00:37:28,333 HEY, YO. 1653 00:37:28,333 --> 00:37:29,233 OH, MY GOSH, BABY. 1654 00:37:29,233 --> 00:37:31,167 THAT'S ALL RIGHT, BABY. 1655 00:37:31,167 --> 00:37:32,200 BABE, YOU SAID YOU WANTED 1656 00:37:32,200 --> 00:37:33,200 TO MAKE LOVE IN HERE. 1657 00:37:33,200 --> 00:37:33,900 HOW WE GONNA MAKE LOVE 1658 00:37:33,900 --> 00:37:34,633 ON THE FLOOR NOW? 1659 00:37:34,633 --> 00:37:36,367 YOU GOT TO LICK IT OFF MY BODY. 1660 00:37:36,367 --> 00:37:37,533 I'LL LICK IT-- 1661 00:37:37,533 --> 00:37:38,367 I'LL LICK WHATEVER YOU WANT 1662 00:37:38,367 --> 00:37:39,633 OFF YOUR BODY. 1663 00:37:39,633 --> 00:37:40,767 BOY, WE COULD DO SOME THINGS 1664 00:37:40,767 --> 00:37:41,467 IN HERE, BABY. 1665 00:37:41,467 --> 00:37:42,867 THEY HAVE TO PRESSURE WASH 1666 00:37:42,867 --> 00:37:44,167 THIS WITH HOLY WATER BY THE TIME 1667 00:37:44,167 --> 00:37:44,967 WE FINISH UP IN HERE. 1668 00:37:44,967 --> 00:37:45,833 OH, MY GOODNESS. 1669 00:37:45,833 --> 00:37:48,700 I WANT YOU TO STAY LIKE THIS. 1670 00:37:48,700 --> 00:37:49,533 I WANT YOU TO BE HAPPY 1671 00:37:49,533 --> 00:37:50,233 ALL THE TIME. 1672 00:37:50,233 --> 00:37:50,933 I DON'T WANT 1673 00:37:50,933 --> 00:37:52,333 YOU TO NEVER BE FEELING, 1674 00:37:52,333 --> 00:37:54,600 LIKE, I WOULD EVER DO ANYTHING 1675 00:37:54,600 --> 00:37:56,233 TO HURT YOU. 1676 00:37:56,233 --> 00:37:57,367 AS FAR AS THE PAST 1677 00:37:57,367 --> 00:37:58,833 OF BOTH OF US, 1678 00:37:58,833 --> 00:38:00,267 NONE OF THAT EXISTS NO MORE. 1679 00:38:00,267 --> 00:38:01,167 I DON'T HAVE A PAST, 1680 00:38:01,167 --> 00:38:02,833 AND YOU DON'T HAVE A PAST. 1681 00:38:02,833 --> 00:38:03,867 I'M NEVER GONNA LEAVE YOU. 1682 00:38:03,867 --> 00:38:04,567 I'M NEVER GONNA 1683 00:38:04,567 --> 00:38:06,700 BE THE WITH NO OTHER MAN EVER. 1684 00:38:06,700 --> 00:38:09,267 WHOA. IT STOPPED. 1685 00:38:09,267 --> 00:38:10,600 READY TO MAKE LOVE, BABY? 1686 00:38:10,600 --> 00:38:12,667 HOLD ON, BABE. HOLD ON. 1687 00:38:12,667 --> 00:38:14,067 ALL RIGHT. 1688 00:38:14,067 --> 00:38:15,967 HERE WE GO. 1689 00:38:15,967 --> 00:38:16,767 YOU KNOW I WANT TO SPEND 1690 00:38:16,767 --> 00:38:18,067 THE REST OF MY LIFE WITH YOU. 1691 00:38:18,067 --> 00:38:18,900 YES. 1692 00:38:18,900 --> 00:38:22,133 AND THE FIRST TIME WE MET, 1693 00:38:22,133 --> 00:38:23,100 I REMEMBER WE GOT 1694 00:38:23,100 --> 00:38:24,267 INTO AN ARGUMENT, 1695 00:38:24,267 --> 00:38:26,600 AND I REMEMBER THAT NIGHT 1696 00:38:26,600 --> 00:38:28,167 I COULDN'T FUNCTION 1697 00:38:28,167 --> 00:38:29,233 WHEN YOU LEFT ME, 1698 00:38:29,233 --> 00:38:30,533 AND I CALLED YOU, PRACTICALLY 1699 00:38:30,533 --> 00:38:32,067 BEGGING YOU TO MEET ME. 1700 00:38:32,067 --> 00:38:32,833 AND WE COULD TALK ABOUT IT. 1701 00:38:32,833 --> 00:38:33,533 MM-HMM. 1702 00:38:33,533 --> 00:38:34,233 AND THEN YOU SHOWED UP 1703 00:38:34,233 --> 00:38:35,167 WITH THEM SHORTS ON. 1704 00:38:35,167 --> 00:38:36,133 I WAS LIKE, "WHY DOES SHE GOT TO 1705 00:38:36,133 --> 00:38:37,600 SHOW UP WITH THOSE SHORTS ON?" 1706 00:38:37,600 --> 00:38:39,567 SO WE GO IN THERE, 1707 00:38:39,567 --> 00:38:41,433 THEN I TOLD YOU, I SAID, 1708 00:38:41,433 --> 00:38:42,333 "I WANT TO BE WITH YOU." 1709 00:38:42,333 --> 00:38:43,067 MM-HMM. 1710 00:38:43,067 --> 00:38:44,300 AND SINCE THEN, 1711 00:38:44,300 --> 00:38:45,300 I'VE NEVER WANTED TO BE 1712 00:38:45,300 --> 00:38:47,167 WITH ANYBODY MORE IN MY LIFE. 1713 00:38:47,167 --> 00:38:48,567 LIKE I SAID, I'M NOT PERFECT, 1714 00:38:48,567 --> 00:38:50,533 BUT I KNOW THAT MY HEART 1715 00:38:50,533 --> 00:38:52,500 IS PURE, AND I KNOW I'M LOYAL. 1716 00:38:52,500 --> 00:38:53,400 OH, BABE. 1717 00:38:53,400 --> 00:38:54,100 AND IT'S THE TRUTH, 1718 00:38:54,100 --> 00:38:54,800 THEA-THEA. 1719 00:38:54,800 --> 00:38:55,567 YOU KNOW WHAT I'M SAYING? 1720 00:38:55,567 --> 00:38:56,467 MM-HMM. 1721 00:38:56,467 --> 00:38:58,067 WELL-- 1722 00:38:58,067 --> 00:39:00,267 WHAT'S WRONG, BABE? 1723 00:39:00,267 --> 00:39:03,867 ALTHEA, MY LOVE, MY HEART- 1724 00:39:03,867 --> 00:39:06,367 WHAT IS THAT? 1725 00:39:06,367 --> 00:39:07,267 BABY, WHAT'S THAT? 1726 00:39:07,267 --> 00:39:08,533 WILL YOU MARRY ME? 1727 00:39:08,533 --> 00:39:12,900 OH, MY GOD. 1728 00:39:12,900 --> 00:39:15,633 THAT'S A YEAH? 1729 00:39:15,633 --> 00:39:17,767 YES. OH, MY GOD. 1730 00:39:17,767 --> 00:39:19,533 BABE, PUT IT ON ME. 1731 00:39:19,533 --> 00:39:20,867 PUT IT ON ME. 1732 00:39:20,867 --> 00:39:22,067 OH, MY GOD. 1733 00:39:22,067 --> 00:39:24,167 IT IS SO PRETTY. OH, MY GOSH. 1734 00:39:24,167 --> 00:39:25,867 IS THAT YES? 1735 00:39:25,867 --> 00:39:27,467 YES, BABY. 1736 00:39:27,467 --> 00:39:29,833 OH, MY GOD. 1737 00:39:29,833 --> 00:39:30,700 THANK YOU. 1738 00:39:30,700 --> 00:39:32,833 OH, BABY, I LOVE YOU. 1739 00:39:32,833 --> 00:39:33,600 OH, MY GOSH, BABY. 1740 00:39:33,600 --> 00:39:34,533 SO WE GONNA GET MARRIED. 1741 00:39:34,533 --> 00:39:35,300 I'M GONNA BE YOUR WIFE. 1742 00:39:35,300 --> 00:39:36,167 YEAH, I'LL BE YOUR HUSBAND. 1743 00:39:36,167 --> 00:39:36,900 OH, MY GOD. 1744 00:39:36,900 --> 00:39:37,767 CAN YOU [bleep] BELIEVE IT? 1745 00:39:37,767 --> 00:39:38,467 I LOVE YOU. 1746 00:39:38,467 --> 00:39:39,567 I LOVE YOU MORE. 1747 00:39:39,567 --> 00:39:41,567 OH. 1748 00:39:47,133 --> 00:39:48,067 NEXT TIME ON LOVE and HIP-HOP: 1749 00:39:48,067 --> 00:39:48,733 ATLANTA... 1750 00:39:48,733 --> 00:39:50,067 OH, WOW. 1751 00:39:50,067 --> 00:39:50,733 NO. 1752 00:39:50,733 --> 00:39:51,833 OH, WOW. 1753 00:39:51,833 --> 00:39:52,567 MIMI AND NIKKO, 1754 00:39:52,567 --> 00:39:53,300 WHAT'S THE DEAL? 1755 00:39:53,300 --> 00:39:54,867 WHY DID YOU TWO DECIDE TO FILM 1756 00:39:54,867 --> 00:39:55,700 YOURSELF HAVING SEX? 1757 00:39:55,700 --> 00:39:56,400 THIS IS SOMETHING 1758 00:39:56,400 --> 00:39:57,133 WE DO ALL THE TIME. 1759 00:39:57,133 --> 00:39:57,833 WE LIKE IT. 1760 00:39:57,833 --> 00:39:58,533 IT'S GOOD. 1761 00:39:58,533 --> 00:39:59,833 I DON'T CARE HOW MUCH... 1762 00:39:59,833 --> 00:40:00,567 I'M SORRY. 1763 00:40:00,567 --> 00:40:01,367 MONEY YOU CAN [bleep] 1764 00:40:01,367 --> 00:40:02,233 GET FOR THIS. 1765 00:40:02,233 --> 00:40:03,300 YOU GOT A CHILD, AND THAT'S 1766 00:40:03,300 --> 00:40:04,833 BECAUSE I GOT IN MONEY, AND 1767 00:40:04,833 --> 00:40:06,300 [bleep] LIKE THIS HURT MY HEART. 1768 00:40:06,300 --> 00:40:07,133 IT'S A LITTLE GIRL THAT GOT TO 1769 00:40:07,133 --> 00:40:08,600 DEAL WITH THIS. 1770 00:40:08,600 --> 00:40:09,933 A LITTLE GIRL. 1771 00:40:09,933 --> 00:40:11,900 THIS CAN NEVER, 1772 00:40:11,900 --> 00:40:14,900 EVER HAPPEN AGAIN. 1773 00:40:14,900 --> 00:40:15,867 LIKE I GOT LEFT OUT 1774 00:40:15,867 --> 00:40:16,600 IN THE DARK. 1775 00:40:16,600 --> 00:40:19,067 MY BAD. 1776 00:40:19,067 --> 00:40:20,033 THIS IS AN APOLOGY PARTY. 1777 00:40:20,033 --> 00:40:20,767 RIGHT. 1778 00:40:20,767 --> 00:40:21,467 THE FAMILY'S HERE. 1779 00:40:21,467 --> 00:40:22,200 NO, I'M GONNA SAY HI, 1780 00:40:22,200 --> 00:40:23,100 LIKE, SINCERELY. 1781 00:40:23,100 --> 00:40:24,000 YOU THE EX, 1782 00:40:24,000 --> 00:40:25,600 AND YOU CAME OVER TO OUR PARTY. 1783 00:40:25,600 --> 00:40:26,867 I WOULDN'T POP OFF TOO MUCH 1784 00:40:26,867 --> 00:40:28,100 BECAUSE OF WHAT I GOT ON YOU. 1785 00:40:28,100 --> 00:40:30,433 YOU AIN'T GOT NOTHING. 1786 00:40:30,433 --> 00:40:31,633 WHERE YOU GOING, KID? 1787 00:40:31,633 --> 00:40:33,100 I'M OUT OF HERE, STEVIE. 1788 00:40:33,100 --> 00:40:34,033 I NEED A BREAK. 1789 00:40:34,033 --> 00:40:34,767 YOU'RE NOT TALKING 1790 00:40:34,767 --> 00:40:35,667 ABOUT THAT ALTHEA STUFF? 1791 00:40:35,667 --> 00:40:36,333 YES, I'M TALKING 1792 00:40:36,333 --> 00:40:37,067 ABOUT THAT SITUATION. 1793 00:40:37,067 --> 00:40:37,733 WHAT? 1794 00:40:37,733 --> 00:40:38,400 IT'S JUST TOO MUCH. 1795 00:40:38,400 --> 00:40:41,000 HEY. 1796 00:40:41,000 --> 00:40:42,567 LOOK AT YOU. 1797 00:40:42,567 --> 00:40:44,400 WHAT'S UP? 1798 00:40:44,400 --> 00:40:45,100 HAVE YOU SEEN THE TAPE? 1799 00:40:45,100 --> 00:40:45,900 I HEARD ABOUT THE TAPE, 1800 00:40:45,900 --> 00:40:46,900 BUT I DIDN'T THINK IT WAS TRUE. 1801 00:40:46,900 --> 00:40:47,833 HER LONG TITTIES 1802 00:40:47,833 --> 00:40:48,667 IS DOWN TO HERE. OH! 1803 00:40:48,667 --> 00:40:49,333 THIS IS REAL PORN! 1804 00:40:49,333 --> 00:40:50,000 YEAH! 1805 00:40:50,000 --> 00:40:50,700 OH! 1806 00:40:50,700 --> 00:40:51,400 OOH-WHOO! 1807 00:40:51,400 --> 00:40:53,133 OOH. 1808 00:40:53,133 --> 00:40:54,500 HER NEW NAME IS "MEAT MOUTH." 1809 00:40:54,500 --> 00:40:55,400 OOH. 1810 00:40:55,400 --> 00:40:56,533 SHE DIDN'T EVEN GET A WAX. 1811 00:40:56,533 --> 00:40:57,467 OH! 1812 00:40:57,467 --> 00:40:58,633 LOOK! 1813 00:40:58,633 --> 00:41:00,700 OOH-OOH! 1814 00:41:16,333 --> 00:41:17,067 DON'T LET HIM BE 1815 00:41:17,067 --> 00:41:17,833 LIKE JOHN DUNPHY COMING HOME 1816 00:41:17,833 --> 00:41:18,767 SMELLING LIKE [bleep] COLOGNE. 1817 00:41:18,767 --> 00:41:19,467 OOH. 1818 00:41:19,467 --> 00:41:20,267 WHOEVER HE MESSING WITH, 1819 00:41:20,267 --> 00:41:21,067 GIRL. 1820 00:41:21,067 --> 00:41:21,733 AND YOU HAD SEX 1821 00:41:21,733 --> 00:41:22,400 WITH HIM AFTER THAT? 1822 00:41:22,400 --> 00:41:23,267 NO, NO, NO. 1823 00:41:23,267 --> 00:41:23,967 KARLIE-- 1824 00:41:23,967 --> 00:41:24,700 NO, I DO NOT. 1825 00:41:24,700 --> 00:41:25,400 [bleep] 1826 00:41:25,400 --> 00:41:26,167 HE COME HOME SMELLING 1827 00:41:26,167 --> 00:41:27,633 LIKE [bleep] COLOGNE. LIKE-- 1828 00:41:27,633 --> 00:41:28,700 NOT [bleep] COLOGNE. 1829 00:41:28,700 --> 00:41:30,333 YES. WHOEVER HE MESSING WITH, 1830 00:41:30,333 --> 00:41:31,933 I'M LIKE, "WHO IS THAT?" 1831 00:41:31,933 --> 00:41:32,767 THEM HOS DON'T EVEN GO TO 1832 00:41:32,767 --> 00:41:33,433 THE DOCTOR. 1833 00:41:33,433 --> 00:41:34,133 THEY DON'T EVEN HAVE 1834 00:41:34,133 --> 00:41:35,267 A GYNECOLOGIST. 1835 00:41:35,267 --> 00:41:36,067 GYNECOLOGY. YEAH. 1836 00:41:36,067 --> 00:41:36,733 AND I'M LIKE-- 1837 00:41:36,733 --> 00:41:37,500 GYNECOLOGIST. 1838 00:41:37,500 --> 00:41:38,833 "I'M NOT--" 1839 00:41:38,833 --> 00:41:41,900 [laughter] 1840 00:41:41,900 --> 00:41:42,633 GYNECOLOGIST. 1841 00:41:42,633 --> 00:41:43,300 YEAH. 1842 00:41:43,300 --> 00:41:45,300 [laughter]